Includes bibliographical references (pages 275-287) and index.
CONTENTS NOTE
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pt. 1. Shakespeare in Hollywood. -- Shakespeare's Taming of the shrew and screwball comedy / Mei Zhu -- Method acting and Pacino's Looking for Richard / Peirui Su -- Underwater women in Shakespeare on film / Charles S. Ross -- Cultural anxiety and the female body in Zeffirelli's Hamlet / Xianfeng Mou -- pt. 2. Shakespeare in Asia. -- Imagining the East and Shakespeare's Asia / David Bevington -- Kurosawa's Throne of blood and East Asia's Macbeth / Yuwen Hsiung -- Silence and sound in Kurosawa's Throne of blood / Lei Jin -- The visualization of metaphor in two Chinese versions of Macbeth / Alexander C.Y. Huang -- Shakespeare in contemporary Japan / Daniel Gallimore -- The Tokyo Globe years 1988-2002 / Michiko Suematsu -- Hamlet in Korea / Meewon Lee -- Bangasawan Shakespeare in colonial Malaya / Nurul Farhana Low bt Abdullah -- Shakespeare, noh, kyōgen, and Okinawa shibai / Masae Suzuki -- Samritechak and intercultural Shakespeare in Cambodia / Kevin J. Wetmore, Jr. -- Spectres of Hamlet in colonial and postcolonial Indonesia / Evan Darwin Winet -- Remembering the past in the Shanghai Jingju Company's King Lear / Elizabeth Wichmann-Walczak -- One husband too many and the problem of postcolonial Hong Kong / Adele Lee -- pt. 3. Shakespeare in cyberspace. -- Aesthetics of fragmentation in Taymor's Titus / Lucian Ghita -- Science fiction, Forbidden planet, and Shakespeare's The tempest / Simone Caroti -- Mobilizing foreign Shakespeares in media / Richard Burt -- Appropriation and the design of an online Shakespeare journal / Christy Desmet and Sujata Iyengar -- Performing Shakespeare for the web community / Peter Holland -- pt. 4. Chronology and selected bibliography. -- A chronology of Shakespeare in Hollywood, Asia, and cyberspace / Alexander C.Y. Huang -- Bibliography of Shakespeare in Hollywood, Asia, and cyberspace / Lucien Ghita and Alexander C.Y. Huang.
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SUMMARY OR ABSTRACT
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Recent decades have witnessed diverse incarnations and bold sequences of Shakespeare on screen and stage. Hollywood films and a century of Asian readings of plays such as Hamlet and Macbeth are now conjoining in cyberspace, making a world of difference to how we experience Shakespeare. Shakespeare in Hollywood, Asia, and Cyberspace shows readers how ideas of Asia operate in Shakespeare performances and how Asian and Anglo-European forms of cultural production combine to transcend the mode of inquiry that focuses on fidelity. The result is a new creativity that finds expression in different cultural and virtual locations, including recent films and MMOGs (Massively Multiplayer Online Games). The papers in the volume provide a background for these modern developments, showing the history of how Shakespeare became a signifier against which Asian and Western cultures definedand continue to definethemselves. Authors in the first part of the collection examine culture and gender in Hollywood Shakespearean film and complement the second part in which the history of Shakespearean readings and stagings in China, Indonesia, Cambodia, Japan, Okinawa, Taiwan, Malaya, Korea, and Hong Kong are discussed. Papers in the third part of the volume analyze the transformation of the idea of Shakespeare in cyberspace, a rapidly expanding world of new rewritings of both Shakespeare and Asia. Together, the three sections of this comparative study demonstrate how Asian cultures and Shakespeare affect each other and how the combination of Asian and Anglo-European modes of representation are determining the future of how we see Shakespeares plays. -- Amazon.com.