embodied language and visual poetics in American literature /
First Statement of Responsibility
Rebecca Sanchez.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
New York University Press,
Date of Publication, Distribution, etc.
2015.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource
SERIES
Series Title
Cultural front
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Impersonality: Tradition and the Inescapable Body -- Primitivism: Communicative Norms and the Ethics of the Story : Difficulty: Juxtaposition, Indeterminacy, and the Linguistics of Simultaneity : The Image: Cinematic Poetics and Deaf Vision : Epilogue: The Textual Body Notes.
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SUMMARY OR ABSTRACT
Text of Note
'Deafening Modernism' tells the story of modernism from the perspective of Deaf critical insight. Working to develop a critical deaf theory independent of identity-based discourse, Rebecca Sanchez excavates the intersections between Deaf and modernist studies. She traces the ways that deaf culture, history, linguistics, and literature provide a vital and largely untapped resource for understanding the history of American language politics and the impact that history has had on modernist aesthetic production.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctt15xx5cj
OTHER EDITION IN ANOTHER MEDIUM
Title
Deafening Modernism : Embodied Language and Visual Poetics in American Literature.