Part I. Trauma, evacuated memories, and inverted histories. I want to be human: a story of China and the human / translated by Shuang Shen -- Hero and the invisible tianxia / translated by Yajun Mo -- Part II. Class, still lives, and masculinity. Temporality, nature morte, and the filmmaker: a reconsideration of still life / translated by Lennet Daigle -- The piano in a factory : class, in the name of the father / translated by Jie Li -- Part III. The spy genre. The spy-film legacy: a preliminary cultural analysis of the spy film / translated by Chris Connery -- In vogue: politics and the nation-state in Lust, Caution and the Lust, Caution phenomenon in China / translated by Erebus Wong and Lisa Rofel -- Finale. history, memory, and the politics of representation / translated by Rebecca Karl -- Interview with Dai Jinhua, July 2014 / by Lisa Rofel.
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SUMMARY OR ABSTRACT
Text of Note
In After the Post-Cold War eminent Chinese cultural critic Dai Jinhua interrogates history, memory, and the future of China as a global economic power in relation to its socialist past, profoundly shaped by the Cold War. Drawing on Marxism, post-structuralism, psychoanalysis, and feminist theory, Dai examines recent Chinese films that erase the country's socialist history to show how such erasure resignifies socialism's past as failure and thus forecloses the imagining of a future beyond that of globalized capitalism. She outlines the tension between China's embrace of the free market and a regime dependent on a socialist imprimatur. She also offers a genealogy of China's transformation from a source of revolutionary power into a fountainhead of globalized modernity. This narrative, Dai contends, leaves little hope of moving from the capitalist degradation of the present into a radical future that might offer a more socially just world.