Bloomsbury Visual Arts, an imprint of Bloomsbury Publishing Plc,
Date of Publication, Distribution, etc.
2016.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
208 pages :
Other Physical Details
chiefly color illustrations ;
Dimensions
28 cm
GENERAL NOTES
Text of Note
"First published in 2002 by The National Gallery Company."
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Machine generated contents note: I.Cloth of Honour -- II.Liberated Draperies -- III.Sensuality, Sanctity, Zeal -- IV.High Artifice -- V.Romantic Simplicity: Women -- VI.Romantic Simplicity: Men -- VII.Restraint and Display -- VIII.Nude and Mode -- IX.Woman as Dress -- X.Form and Feeling.
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SUMMARY OR ABSTRACT
Text of Note
Clothing appears in all forms of figurative painting, often taking up two thirds of a frame; yet it can often go unnoticed. Far more than a simple means of identifying the status or occupation of a figure, clothes and cloth are used creatively by artists to hint at ambiguities in character, adjust the emotional temperature, direct the eye or make subtle allusions. Drawing on works by artists over a period of six centuries, from Giotto to El Greco, Matisse to Cindy Sherman, the author reveals through paintings, fashion plates, photographs and film stills how drapery in art evolved from Renaissance extravagance to Neoclassical simplicity at the end of the 18th century, and has extended to infinite uses in all genres of modern art. Written by pioneering art historian and critic Anne Hollander, this beautifully illustrated book is a must-read for students and anyone with an interest in art and fashion.