the revolution : being the complete libretto of the Broadway musical, with a true account of its creation, and concise remarks on hip-hop, the power of stories, and the new America /
First Statement of Responsibility
by Lin-Manuel Miranda and Jeremy McCarter.
EDITION STATEMENT
Edition Statement
First edition.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York, NY :
Name of Publisher, Distributor, etc.
Melcher Media,
Date of Publication, Distribution, etc.
2016.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
287 pages :
Other Physical Details
illustrations (chiefly color) ;
Dimensions
27 cm
GENERAL NOTES
Text of Note
Includes libretto and photographs from the musical, as well as an account of the creation of the musical, from the composition of the first song of the show in 2009 to the opening night in 2015.
(CREDITS NOTE (PROJECTED AND VIDEO MATERIAL AND SOUND RECORDINGS
Text of Note
This book was produced by Melcher Media.
CONTENTS NOTE
Text of Note
In New York you can be a new man, or, the story of Oak and Daveed -- An account of rapping for the children, who will one day rap for themselves -- Did they or didn't they? Or, some discourse on affairs -- In which advantages are derived from listening to the Broadway old masters and Jasmine Cephas Jones -- On being in "The Room Where It Happens" with the cast of A Chorus Line, plus a brief account of Nevin Steinberg bringing boom-bap to Broadway with speakers the size of refrigerators -- A picture of the recording studio, featuring learned comments by Questlove and a thrown shoe -- On the origin and persistence of our national shame -- Of Jonathan Groff, his royal character, his notable career, his dressing room décor & C. -- On killing your darlings, with reference to "The Adams Administration," the seductions of Ben Franklin, and songs on the cutting-room floor -- In which the hero blows up his spot, with the assistance of Howell Binkley's lights and other forms of ingenious stagecraft -- Giving an account of a hurricane, with a notable appearance by President Obama, and the remarkable rise of Anthony Ramos -- A grieving chapter: on losses beyond words -- Containing a dialogue on ambition, and some topical comments, from David Brooks and Christopher Hayes -- Further thoughts on ambition, as it pertains to the playwright and the enigmatic Burr -- How the duel was fought, and rewritten, and fought again, as the clock ran out -- What is a legacy? Or, a sketch of opening night, and what came after, and what might come next.
Text of Note
On the origins of revolution, both national & musical, with reference to opening numbers & White House raps -- In which Tommy Kail is introduced, and his adventures with Lin surveyed -- Giving the history of Ron Chernow, along with remarks on who may play a founding father -- In which the character of New York City is considered in its musical and scenic aspects, by reference to David Korins and a curious episode of historical vertigo -- Stakes is high; or, what happened at Lincoln Center and what came after, including lunch with Jeffrey Seller -- On the orchestrating techniques of Alex Lacamoire, with lively appearances by Van Halen, Elmo, and an actual Beatle -- On the character of George Washington and the character of Chris Jackson -- Concerning the lady and the tramp, in olden days and our own, with reference to "Helpless" and many songs that feature Ja Rule -- On the perfect union of actor and role, with allusion to Renée Elise Goldsberry -- The same subject continued, with allusion to Leslie Odom, Jr., plus remarks on the virtues and merits of union -- Wherein mobb deep is sampled, and the immortal Biggie Smalls is revived -- Of Oskar Eustis, his politics, his eventful career, his thoughts on verse drama, and his stewardship of The Public Theater, with a word about The Pharcyde -- On Phillipa Soo and the trouble with goodness -- On Paul Tazewell and the fashion of revolution -- By which it will appear that good history makes good drama, and in which Sebastian Miranda makes his debut -- On "Non-Stop," both the song and the way of life, as manifest by Andy Blankenbuehler and The Public Theater's props department.
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SUMMARY OR ABSTRACT
Text of Note
Offers a behind-the-scenes view of Hamilton the musical, detailing the many dramatic episodes in Alexander Hamilton's life.
UNIFORM TITLE
General Material Designation
Hamilton (Libretto)
PERSONAL NAME USED AS SUBJECT
Hamilton, Alexander,1757-1804
Miranda, Lin-Manuel,1980-Hamilton.
Hamilton, Alexander, 1762-1824
Hamilton, Alexander,1757-1804
Hamilton, Alexander,1757-1804.
Hamilton, Alexander.
Miranda, Lin-Manuel,1980-Hamilton.
Miranda, Lin-Manuel.
Miranda, Lin-Manuel., Hamilton.
TOPICAL NAME USED AS SUBJECT
Musicals-- United States-- History and criticism.
Musicals, Librettos.
Librettos
Musical
Musicals-- History and criticism.-- United States.