Includes bibliographical references (pages 373-389) and index.
CONTENTS NOTE
Text of Note
Introduction: From ethnoaesthetics to art history -- Truth or beauty: the revelatory regime of a Pintupi painting -- Practices of painting: a local history and a vexed intersection -- The aesthetic function and the practice of Pintupi painting: a local art history -- Making a market: cultural policy and modernity in the outback -- Burned out, outback: art advisers working between two worlds -- The "industry": exhibition success and economic rationalization -- After the fall: in the arts industry -- Materializing culture and the new internationalism -- Performing aboriginality at the Asia Society Gallery -- Postprimitivism: lines of tension in the making of aboriginal high art -- Unsettled business -- Recontextualizations: the traffic in culture -- Appendix: A short history of Papunya Tula exhibition, 1971-1985.
0
SUMMARY OR ABSTRACT
Text of Note
The history of the Australian Aboriginal painting movement from its local origins to its career in the international art market.
SYSTEM REQUIREMENTS NOTE (ELECTRONIC RESOURCES)
Text of Note
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
00008251
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctv120gf81
OTHER EDITION IN ANOTHER MEDIUM
Title
Painting culture.
International Standard Book Number
0822329328
TOPICAL NAME USED AS SUBJECT
Acrylic painting-- Australia-- Western Desert (W.A.)-- Marketing.
Art as an investment.
Art, Pintupi-- Australia-- Western Desert (W.A.)
Cultural property-- Protection-- Australia-- Western Desert (W.A.)
Painting, Aboriginal Australian-- Australia-- Western Desert (W.A.)-- Marketing.
Pintupi (Australian people)-- Material culture-- Australia-- Western Desert (W.A.)