African Americans in a century of Hollywood cinema, 1903-2003 /
First Statement of Responsibility
Roland Leander Williams Jr.
EDITION STATEMENT
Edition Statement
First Edition.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Syracuse, New York :
Name of Publisher, Distributor, etc.
Syracuse University Press,
Date of Publication, Distribution, etc.
2015.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xvii, 200 pages) :
Other Physical Details
illustrations, portraits
SERIES
Series Title
Television and Popular Culture
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 177-186) and index.
CONTENTS NOTE
Text of Note
Original frames -- New negro -- Renaissance man -- Civil servant -- Soul brother -- Good buddy -- Curtain call.
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SUMMARY OR ABSTRACT
Text of Note
Black Male Frames charts the development and shifting popularity of two stereotypes of black masculinity in popular American film: "the shaman" or "the scoundrel." Starting with colonial times, Williams identifies the origins of these roles in an America where black men were forced either to defy or to defer to their white masters. These figures recur in the stories America tells about its black men, from the fictional Jim Crow and Zip Coon to historical figures such as Booker T. Washington and W. E. B. Du Bois. Williams argues that these two extremes persist today in modern Hollywood, where actors such as Sam Lucas, Paul Robeson, Sidney Poitier, Denzel Washington, and Morgan Freeman, among others, must cope with and work around such limited options. Williams situates these actors' performances of one or the other stereotype within each man's personal history and within the country's historical moment, ultimately to argue that these men are rewarded for their portrayal of the stereotypes most needed to put America's ongoing racial anxieties at ease. Reinvigorating the discussion that began with Donald Bogle's seminal work, Toms, Coons, Mulattoes, Mammies, and Bucks, Black Male Frames illuminates the ways in which individuals and the media respond to the changing racial politics in America.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctt1hzbqn0
OTHER EDITION IN ANOTHER MEDIUM
Title
Black male frames.
International Standard Book Number
0815633823
PARALLEL TITLE PROPER
Parallel Title
African Americans in a century of Hollywood cinema, 1903-2003
TOPICAL NAME USED AS SUBJECT
African Americans in motion pictures.
Motion pictures-- Social aspects-- United States.
Motion pictures-- United States-- History.
Stereotypes (Social psychology) in motion pictures.
African Americans in motion pictures.
Motion pictures-- Social aspects.
Motion pictures.
PERFORMING ARTS / Film & Video / History & Criticism
PERFORMING ARTS / Reference
Stereotypes (Social psychology) in motion pictures.