widows, pastoral care, and medieval models of holiness /
First Statement of Responsibility
Katherine Clark Walter.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Washington, D.C. :
Name of Publisher, Distributor, etc.
Catholic University of America Press,
Date of Publication, Distribution, etc.
2018.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (430 pages .)
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Creating the widow in the early church -- The widow and the cloister: early medieval hagiography -- The veil and the vow: professed widowhood in canon law and liturgical manuscripts -- Chaste widows and the penitential ethos in later medieval hagiography -- Managing the matron: widowhood in medieval sermon literature -- Reading widows: grief, memory, and the parody of chaste widowhood in medieval literature -- Like a picture before the eyes: transitions to the early modern world.
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SUMMARY OR ABSTRACT
Text of Note
"The profession of widowhood explores how the idea of 'true' widowhood was central to pre-modern ideas concerning marriage and of female identity more generally. The medieval figure of the Christian vere vidua or 'good' widow evolved from and reinforced ancient social and religious sensibilities of chastity, loyalty and grief as gendered 'work.' The ideal widow was a virtuous woman who mourned her dead husband in chastity, solitude, and most importantly, in perpetuity, marking her as 'a widow indeed' (1 Tim 5:5). The widow who failed to display adequate grief fulfilled the stereotype of the 'merry widow' who forgot her departed spouse and abused her sexual and social freedom. Stereotypes of widows 'good' and 'bad' served highly-charged ideological functions in pre-modern culture, and have remained durable even in modern times, even as Western secular society now focuses more on a woman's recovery from grief and possible re-coupling than the expectation that she remain forever widowed. The widow represented not only the powerful bond created by love and marriage, but also embodied the conventions of grief that ordered the response when those bonds were broken by premature death. This notion of the widow as both a passive memorial to her husband and as an active 'rememberer' was rooted in ancient traditions, and appropriated by early Christian and medieval authors who used 'good' widowhood to describe the varieties of female celibacy and to define the social and gender order. A tradition of widowhood characterized by chastity, solitude, and permanent bereavement affirmed both the sexual mores and political agenda of the medieval Church. Medieval widows--both holy women recognized as saints and 'ordinary women' in medieval daily life--recognized this tradition of professed chastity in widowhood not only as a valuable strategy for avoiding remarriage and protecting their independence, but as a state with inherent dignity that afforded opportunities for spiritual development in this world and eternal merit in the next"--Publisher's website.