Upper-voice structures and compositional process in the ars nova motet /
General Material Designation
[Book]
First Statement of Responsibility
Anna Zayaruznaya.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Routledge,
Date of Publication, Distribution, etc.
2018.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource
SERIES
Series Title
RMA monographs ;
Volume Designation
32
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
Text of Note
Cover; Title; Copyright; Contents; List of music examples; List of figures; List of tables; Acknowledgments; Note on music examples and naming conventions; 1 Introduction; 2 Foundational tenors and the power dynamics of compositional process; 3 Talea and/as color; 4 A catalog of upper-voice structures; 5 The hermeneutic stakes: reading form in S'il estoit/S'Amours; 6 A new paradigm for motet composition: Colla/Bona reconstructed; Conclusion; Appendix: music-theoretical discussions of talea and color, c. 1340-1430; Bibliography; Index
0
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
Ingram Content Group
Stock Number
9781351398602
OTHER EDITION IN ANOTHER MEDIUM
Title
Upper-voice structures and compositional process in the ars nova motet.