عنوان

Jazz and the philosophy of art /

(Number (ISBN

1138241350

(Number (ISBN

1138241369

(Number (ISBN

9781138241350

(Number (ISBN

9781138241367

Erroneous ISBN

9781315280585 (Mobipocket ebook)

Erroneous ISBN

9781315280592 (ePub ebook)

Erroneous ISBN

9781315280608 (PDF ebook)

Erroneous ISBN

9781315280615 (ebook)

Title Proper

Jazz and the philosophy of art /

General Material Designation

[Book]

First Statement of Responsibility

Lee B. Brown, David Goldblatt and Theodore Gracyk.

Place of Publication, Distribution, etc.

New York, NY :

Name of Publisher, Distributor, etc.

Routledge,

Date of Publication, Distribution, etc.

2018.

Date of Publication, Distribution, etc.

©2018

Specific Material Designation and Extent of Item

xiii, 302 pages ;

Dimensions

23 cm

Text of Note

Includes bibliographical references and index.

Text of Note

How is jazz distinctive? Essence and definition -- Dancing, dwelling, and rhythmic swing -- A theory of jazz music: "it don't mean a thing ..." -- Defining jazz historically -- Jazz and American culture -- Jazz singing and taking wing -- Race, jazz, and popular music: the legacy of blackface minstrelsy -- Jazz and the culture industry -- Music ontology -- Improvisations and spontaneity -- Musical forgeries, improvisation, and the principle of continuity -- Phonography, repetition, and spontaneity -- Jazz improvisation and its vicissitudes: a plea for imperfection.

0

Text of Note

"Co-authored by three prominent philosophers of art, Jazz and the Philosophy of Art is the first book in English to be exclusively devoted to philosophical issues in jazz. It covers such diverse topics as minstrelsy, bebop, Voodoo, social and tap dancing, parades, phonography, musical forgeries, and jazz singing, as well as Goodman's allographic/autographic distinction, Adorno's critique of popular music, and what improvisation is and is not. The book is organized into three parts. Drawing on innovative strategies adopted to address challenges that arise for the project of defining art, Part I shows how historical definitions of art provide a blueprint for a historical definition of jazz. Part II extends the book's commitment to social-historical contexualism by exploring distinctive ways that jazz has shaped, and been shaped by, American culture. It uses the lens of jazz vocals to provide perspective on racial issues previously unaddressed in the work. It then examines the broader premise that jazz was a socially progressive force in American popular culture. Part III concentrates on a topic that has entered into the arguments of each of the previous chapters: what is jazz improvisation? It outlines a pluralistic framework in which distinctive performance intentions distinguish distinctive kinds of jazz improvisation. This book is a pcomprehensive and valuable resource for any reader interested in the intersections between jazz and philosophy"--Front matter.

International Standard Book Number

9781315280592

Jazz-- History and criticism.

Jazz-- Philosophy and aesthetics.

Jazz-- Philosophy and aesthetics.

Jazz.

Number

Edition

Class number

Book number

Class number

System Code

Brown, Lee,1932-2014

Goldblatt, David,1941-

Gracyk, Theodore

Date of Transaction

20200822161626.0

Cataloguing Rules (Descriptive Conventions))

rda

Electronic name

[Book]

Y