craft, process and aesthetic in contemporary theatre /
First Statement of Responsibility
Adam J. Ledger.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
London, United Kingdom :
Name of Publisher, Distributor, etc.
Palgrave Macmillan,
Date of Publication, Distribution, etc.
[2019]
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
CONTENTS NOTE
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Intro; Acknowledgements; Contents; List of Figures; Chapter 1 Introduction: The Director; Introduction; Anecdotes; Director?; The Director and Directing: Aims and Definitions; Brain; Neglect; The Director; International; Time and Money; Actor; Space; Event (Performance); Creative; Person; Process; Catalyst; Neuroaesthetics; Event (Pleasure); Beauty; Mind(s); Position; Chapter 2 The Director and Stanislavski; Introduction; 'System'; Director; Stanislavski; Emotion; Dissemination; Analysis; Different; The Target; The Actor: Body; The 'System'; Chapter 3 The Director and the Actor; Seeing Double
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Declan Donnellan (Seeing)Hearing; Thomas Ostermeier and the Actor; Synthesis; Robert Wilson and the Actor; Body; Iconic; Double; Conversation; Chapter 4 'In the Room': The Director and Rehearsal; Introduction; Position(ality); Mirror; Process; Text; Drama(tic); Intention(s); Concept; Space, Place; A Note; Know-That; Performance-Making; Moving; Technical; Rehearsal; Chapter 5 'Making Something from Within': The Director and Devising; Introduction; Time and Space; Making; Director; Company; Unfolding; Adaptation; Wrought; Form and Space; Sound; Vision(ary); Chapter 6 Design and the Director
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Perspective(s)Seeing; 'Real' Spaces; Narrative and Representational Scenographies; (Making) Space; Monumental; Kinetic; Figurative; Sound; Total; Echoes of Space; Vernacular; Ideas; Objects and Puppets; Sustain; Taxonomy, Typology, Modality; Chapter 7 Conclusion(s): The Director and Choice; Introduction; Term(s); Creative; Design; Choice; Anecdote (Final); Bibliography; Index
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SUMMARY OR ABSTRACT
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This book critically assesses the artistry of contemporary directors. Its discussion includes the work of Declan Donnellan, Thomas Ostermeier, Deborah Warner, Simon Stone and Krzysztof Warlikowski. Alongside the work of wider theorists (Patrice Pavis and Erika Fischer-Lichte), it uses neuroaesthetic theory (Semir Zeki) and cognitive and creative process models to offer an original means to discuss the performance event, emotion, brain structures and concepts, and the actors body in performance. It offers first-hand observation of rehearsals led by Katie Mitchell, Ivo van Hove, Carrie Cracknell and the Steppenwolf Theatre. It also explores devising in relation to the work of Simon McBurney and contemporary groups, and scenography in relation to the work of Dmitry Krymov, Robert Wilson and Robert Lepage. The Director and Directing argues that the director creates a type of knowledge, 'reward and 'resonant experience (G. Gabrielle Starr) through instinctive and expert choices.