عنوان
پدید آورنده
موضوع
رده
N72.F45 P63 1999
N72
.
F45
P63
1999
کتابخانه
محل استقرار
INTERNATIONAL STANDARD BOOK NUMBER
(Number (ISBN
0203397193
(Number (ISBN
0415066999
(Number (ISBN
0415067006
(Number (ISBN
1135084408
(Number (ISBN
1135084475
(Number (ISBN
1135084548
(Number (ISBN
9780203397190
(Number (ISBN
9780415066990
(Number (ISBN
9780415067003
(Number (ISBN
9781135084400
(Number (ISBN
9781135084479
(Number (ISBN
9781135084547
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
Differencing the canon :
General Material Designation
[Book]
Other Title Information
feminist desire and the writing of art's histories /
First Statement of Responsibility
Griselda Pollock.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
London :
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Routledge,
Name of Publisher, Distributor, etc.
Routledge,
Date of Publication, Distribution, etc.
1999.
Date of Publication, Distribution, etc.
1999.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xviii, 345 pages) :
Other Physical Details
illustrations
SERIES
Series Title
Re visions.
GENERAL NOTES
Text of Note
Includes sections on Mary Cassatt, Artemesia Gentileschi, Lubaina Himid.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 318-327) and index.
CONTENTS NOTE
Text of Note
About canons and culture wars -- Differencing: feminism's encounter with the canon -- The ambivalence of the maternal body: re/drawing Van Gogh -- Fathers of modern art: mothers of invention: cocking a leg at Toulouse-Lautrec -- The female hero and the making of a feminist canon: Artemisia Gentileschi's representations of Susanna and Judith -- Feminist mythologies and missing mothers: Virginia Woolf, Charlotte Bronte, Artemisia Gentileschi and Cleopatra -- Revenge: Lubaina Himid and the making of new narratives for new histories -- Some letters on feminism, politics and modern art: when Edgar Degas shared a space with Mary Cassatt at the suffrage benefit exhibition, New York 1915 -- A tale of three women: seeing in the dark, seeing double, at least, with Manet.
0
SUMMARY OR ABSTRACT
Text of Note
Differencing the Canon moves between feminist re-readings of the canonical modern masters - Van Gogh, Toulouse-Lautrec and Manet - and the 'canonical' artists of feminist art history, Artemisia Gentileschi and Mary Cassatt. Pollock avoids both an unnuanced critique of masculine canons and an unquestioning celebration of women artists. She draws on psychoanalysis and deconstruction to examine the project of reading for 'inscriptions in the feminine', and asks what the signs of difference might be in art made by an artist who is 'a woman'.
Text of Note
In this book, art historian Griselda Pollock makes a compelling intervention into a debate at the very centre of feminist art history: should the traditional canon of the 'Old Masters' be rejected, replaced or reformed? What 'difference' can feminist 'interventions in art's histories' make? Should we simply reject the all-male succession of 'great artists' in favour of an all-woman litany of artistic heroines? Or should we displace present gender demarcations and allow the ambiguities and complexities of desire to shape our readings of art?
OTHER EDITION IN ANOTHER MEDIUM
International Standard Book Number
0415067006
PERSONAL NAME USED AS SUBJECT
Cassatt, Mary,1844-1926.
Gentileschi, Artemisia,1593-1652 or 1653.
Gentileschi, Artemisia,approximately 1597-approximately 1651.
Gogh, Vincent van,1853-1890.
Manet, Édouard,1832-1883.
Toulouse-Lautrec, Henri de,1864-1901.
Cassatt, Mary, 1844-1926
Cassatt, Mary,1844-1926
Degas, Edgar, 1834-1917
Gentileschi, Artemisia, 1593-1653
Gentileschi, Artemisia, 1593-1653, Judith tötet Holofernes
Gentileschi, Artemisia, 1593-1653, Lucretia
Gentileschi, Artemisia, 1593-1653, Susanna und die Alten
Gentileschi, Artemisia,1593-1652 or 1653
Gentileschi, Artemisia,approximately 1593-1652/53., Judith tötet Holofernes.
Gentileschi, Artemisia,approximately 1593-1652/53., Lucretia.
Gentileschi, Artemisia,approximately 1593-1652/53., Susanna und die Alten.
Gogh, Vincent van, 1853-1890
Gogh, Vincent van,1853-1890
Himid, Lubaina, 1954-
Judit
Judit.
Kleopatra, VII., v69-v30
Kleopatra,v69-v30.
Manet, Edouard, 1832-1883
Manet, Édouard,1832-1883
Morisot, Berthe, 1841-1895
Susanna
Toulouse-Lautrec, Henri de, 1864-1901
Toulouse-Lautrec, Henri de,1864-1901
TOPICAL NAME USED AS SUBJECT
Feminism and art.
Psychoanalysis and feminism.
Women art historians-- Psychology.
Chefs-d'œuvre (Art)
Féminisme et art.
Historiennes d'art-- Psychologie.
Psychanalyse et féminisme.
ART-- Subjects & Themes-- General.
Bildnis
Feminism and art.
Feminisme.
Feminismus
Kanon
Kunst
Kunstgeschichte
Kunstgeschichte.
Kunstgeschiedenis (wetenschap)
Psychoanalysis and feminism.
Sekseverschillen.
Wetenschappelijke technieken.
Women art historians-- Psychology.
(SUBJECT CATEGORY (Provisional
ART-- 050000
DEWEY DECIMAL CLASSIFICATION
Number
704
.
042
Edition
23
LIBRARY OF CONGRESS CLASSIFICATION
Class number
N72
.
F45
Book number
P63
1999
OTHER CLASS NUMBERS
Class number
20
.
03
Class number
LH
61020
Class number
LH
61050
System Code
bcl
System Code
rvk
System Code
rvk
PERSONAL NAME - PRIMARY RESPONSIBILITY
Pollock, Griselda
ORIGINATING SOURCE
Date of Transaction
20200822155107.0
Cataloguing Rules (Descriptive Conventions))
pn
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب [Book]
Y
