عنوان

The Western image of Turks from the Middle Ages to the 21st century :

Number

TLets686913

Title Proper

The Western image of Turks from the Middle Ages to the 21st century :

General Material Designation

[Thesis]

First Statement of Responsibility

Tiryakioglu, N. O.

Title Proper by Another Author

the myth of 'terrible Turk' and 'lustful Turk'

Name of Publisher, Distributor, etc.

Nottingham Trent University

Date of Publication, Distribution, etc.

2015

Dissertation or thesis details and type of degree

Thesis (Ph.D.)

Text preceding or following the note

2015

Text of Note

The Western image of Turks is identified with two distinctive stereotypes: 'Terrible Turk' and 'Lustful Turk'. These stereotypical images are deeply rooted in the history of the Ottoman Empire and its encounters with Christian Europe. Because of their fear of being dominated by Islam, European Christians defined the Turks as the wicked 'Other' against their perfect 'Self'. Since the beginning of Crusades, the Western image of Turks is associated with cruelty, barbarity, murderousness, immorality, and sexual perversion. These characteristics still appear in cinematic representations of Turks. In Western films such as Lawrence of Arabia and Midnight Express, the portrayals of Turks echo the stereotypes of 'terrible Turk' and 'lustful Turk'. This thesis argues that these stereotypes have transformed into a myth and continued to exist uniformly in Western contemporary cinema. The thesis attempts to ascertain the uniformity and consistency of the cinematic image of Turks and determine the associations between this image and the myths of 'terrible Turk' and 'lustful Turk'. To achieve this goal, this thesis examines the trajectory of the Turkish image in Western discourse between the 11th and 21st centuries. The discourse analysis focuses on the Western writings, speeches, sermons, and literary texts, including the Crusade rhetoric, Renaissance humanist discourse, Early Modern English drama, and Orientalist travelogue. To establish the continuity of the Turkish stereotypes in Western discourse, the thesis also presents a critical analysis of Western contemporary cinema, including both American and European films. The methodology of the thesis is based on two main theoretical approaches: a) representational practices, which involve the concepts of Otherness, stereotypes, myth, narrative, discourse and intertextuality; and b) Orientalism. These concepts provide a better understanding for the mythical characteristics of the Turkish stereotype. The thesis also offers an exploratory look at the social media platforms and their possible impact on the Turkish image in the future.

Tiryakioglu, N. O.

Nottingham Trent University

Electronic name

p

[Thesis]

276903

a

Y