Dancing in the margins: The politics of national and local identity among the Maranao and Kalinga in the Philippines
General Material Designation
[Thesis]
First Statement of Responsibility
Kanami Namiki
Subsequent Statement of Responsibility
Mrazek, Jan
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
National University of Singapore (Singapore)
Date of Publication, Distribution, etc.
2016
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
314
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=9781083636553
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Body granting the degree
National University of Singapore (Singapore)
Text preceding or following the note
2016
SUMMARY OR ABSTRACT
Text of Note
This study examines local production and historical development of dances among two ethnic communities in the Philippines, namely the Maranao, a Muslim group in the southern Philippines, and the Kalinga, a Cordillera mountain tribe in the northern Philippines. The study explores changing dance traditions and expressions of ethnic identities in the two communities in the process of being integrated into the national culture, by drawing attention to a role of local elites as a mediator of the cultural and artistic practices and meanings between Manila-based dance companies and local communities. The dissertation illustrates how what we view as Maranao and Kalinga dances are often complicated performances of nationalism where the accommodation, resistance and compromise of local communities are acted out, and how local and national cultural authorities and artists struggle to define and gain control of the definition of what it means to be authentic.
TOPICAL NAME USED AS SUBJECT
Southeast Asian studies; Cultural anthropology; Dance; Ethnic studies
UNCONTROLLED SUBJECT TERMS
Subject Term
(UMI)AAI10754528;Communication and the arts;Social sciences;Philippines