عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
NATIONAL BIBLIOGRAPHY NUMBER
Number
TL49076
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
انگلیسی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
Art and patronage in the Middle East: The United Arab Emirates
General Material Designation
[Thesis]
First Statement of Responsibility
Mert Kaymakci
Subsequent Statement of Responsibility
Degen, Natasha
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Sotheby's Institute of Art - New York
Date of Publication, Distribution, etc.
2016
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
71
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-369-33733-4
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
Art Business
Body granting the degree
Sotheby's Institute of Art - New York
Text preceding or following the note
2016
SUMMARY OR ABSTRACT
Text of Note
The United Arab Emirates is aiming to become a hub for art production by developing
numerous artists' studios and residencies, a major sales arena with galleries, auction
houses and art fairs and becoming an alternative destination for established museums and
art institutions. This thesis will investigate the development of the United Arab Emirates
art market in relation to contributions by art patrons. It will focus on patrons and their
investments in art infrastructure projects: either by starting art organizations to support
artists or creating major art collections on a museum scale representing different Middle
Eastern nationalities. In doing so, these patrons are trying to change how the Middle East
is perceived globally. Without these art patrons, could the United Arab Emirates art
market function? Could the United Arab Emirates have an emerging art market supported
by its collector base alone? This thesis will investigate why major art collectors in the
region, acting as patrons, are investing in art infrastructure projects rather than just
expanding their collections and explain why the contributions of these patrons are
shaping the art eco-system in the United Arab Emirates.
numerous artists' studios and residencies, a major sales arena with galleries, auction
houses and art fairs and becoming an alternative destination for established museums and
art institutions. This thesis will investigate the development of the United Arab Emirates
art market in relation to contributions by art patrons. It will focus on patrons and their
investments in art infrastructure projects: either by starting art organizations to support
artists or creating major art collections on a museum scale representing different Middle
Eastern nationalities. In doing so, these patrons are trying to change how the Middle East
is perceived globally. Without these art patrons, could the United Arab Emirates art
market function? Could the United Arab Emirates have an emerging art market supported
by its collector base alone? This thesis will investigate why major art collectors in the
region, acting as patrons, are investing in art infrastructure projects rather than just
expanding their collections and explain why the contributions of these patrons are
shaping the art eco-system in the United Arab Emirates.
TOPICAL NAME USED AS SUBJECT
Art Criticism; Middle Eastern Studies
UNCONTROLLED SUBJECT TERMS
Subject Term
Social sciences;Communication and the arts;Abu Dhabi;Art collectors;Art infrastructure;Dubai;Patronage;United Arab Emirates
PERSONAL NAME - PRIMARY RESPONSIBILITY
Reeves, James Bryant
PERSONAL NAME - SECONDARY RESPONSIBILITY
Degen, Natasha
CORPORATE BODY NAME - SECONDARY RESPONSIBILITY
Subdivision
Art Business
Sotheby's Institute of Art - New York
LOCATION AND CALL NUMBER
Call Number
1848288669; 10187637
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب p
[Thesis]
276903
a
Y
