The gap between the literature and the cultural reality of the Arab Spring: Reading Thirlwell's 'Kapow!' and Azzam's 'Sarmada' as dramatizations of the Arab Spring
General Material Designation
[Thesis]
First Statement of Responsibility
Areej Bahhari
Subsequent Statement of Responsibility
Raschke, Debrah
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Southeast Missouri State University
Date of Publication, Distribution, etc.
2015
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
83
GENERAL NOTES
Text of Note
Committee members: Hosselkus, Erika; Rieger, Christopher
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-339-46092-5
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
College of Liberal Arts
Body granting the degree
Southeast Missouri State University
Text preceding or following the note
2015
SUMMARY OR ABSTRACT
Text of Note
This thesis reads Adam Thirlwell's Kapow! and Fadi Azzam's Sarmada as dramatizations of the Arab Spring. It focuses on how the Arab Spring uprisings and conflicts that affected the lives of Arab citizens are portrayed in the literature that attempts to deal with this historical movement. Thirlwell foregrounds the elements of the experimental novel to convey this event, but his narrator leaves the story of the Arab Spring backstage. On the other hand, Fadi Azzam employs magical realism in Sarmada, introducing a unique community who lives in a spiritual world. Sarmada provides a critical view of fundamentalism through the use of magical realism, which misrepresents life within the contemporary Syrian society. Throughout the portrayal of these two novels, a disturbing gap emerges between the current literature and the cultural reality of the Arab Spring.