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عنوان
A maudlin cinema: Arabesk film and culture in Turkey

پدید آورنده
M. Zeynep Dadak

موضوع
Film studies,Communication and the arts;Aesthetics and politics;Cinema;Film genre;Music;Turkey;Urban culture

رده

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

NATIONAL BIBLIOGRAPHY NUMBER

Number
TL48584

LANGUAGE OF THE ITEM

.Language of Text, Soundtrack etc
انگلیسی

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
A maudlin cinema: Arabesk film and culture in Turkey
General Material Designation
[Thesis]
First Statement of Responsibility
M. Zeynep Dadak
Subsequent Statement of Responsibility
Stam, Robert P.

.PUBLICATION, DISTRIBUTION, ETC

Name of Publisher, Distributor, etc.
New York University
Date of Publication, Distribution, etc.
2015

PHYSICAL DESCRIPTION

Specific Material Designation and Extent of Item
406

GENERAL NOTES

Text of Note
Committee members: Akbal Sualp, Zeynep Tul; Allen, Richard; Shohat, Ella; Zhang, Zhen

NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.

Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-339-32897-3

DISSERTATION (THESIS) NOTE

Dissertation or thesis details and type of degree
Ph.D.
Discipline of degree
Cinema Studies
Body granting the degree
New York University
Text preceding or following the note
2015

SUMMARY OR ABSTRACT

Text of Note
Arabesk, initially a musical form in Turkey that was almost immediately taken up by the film industry (Yeşilçam), had its hybrid roots in emotional Arab-influenced melodies. Instigated by the increasing popularity of arabesk songs/singers in the 1970s, and their incorporation of the familiar structures of melodrama, arabesk music and cinema became almost indivisible. From the onset, the popularity of arabesk music and films, predominantly associated with migrants, instigated one of the most heated debates among the intellectuals in the history of Turkish Republic. The manner in which the defenders of values of a secular, modern nation questioned identity was ironically not very different from the anxieties that arabesk singers voiced through their songs and films. Especially due to the strict state control over music until the 1990s, cinema in Turkey remained a relatively free stage allowing arabesk to flourish.

TOPICAL NAME USED AS SUBJECT

Film studies

UNCONTROLLED SUBJECT TERMS

Subject Term
Communication and the arts;Aesthetics and politics;Cinema;Film genre;Music;Turkey;Urban culture

PERSONAL NAME - PRIMARY RESPONSIBILITY

Al-Tenaijy, Mozah

PERSONAL NAME - SECONDARY RESPONSIBILITY

Stam, Robert P.

CORPORATE BODY NAME - SECONDARY RESPONSIBILITY

Subdivision
Cinema Studies
New York University

LOCATION AND CALL NUMBER

Call Number
1754428582; 3740783

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

p

[Thesis]
276903

a
Y

Proposal/Bug Report

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