Basic Cable: A reluctant American perspective on the Arab Spring through revolutionary art
General Material Designation
[Thesis]
First Statement of Responsibility
Philip Ayoub
Subsequent Statement of Responsibility
Humphries, David T.; Gold, Matthew K.
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
City University of New York
Date of Publication, Distribution, etc.
2015
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
146
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-339-14760-4
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
Liberal Studies
Body granting the degree
City University of New York
Text preceding or following the note
2015
SUMMARY OR ABSTRACT
Text of Note
Supported by a critical component that traces back the Egyptian revolution of 2011 to its roots in the post-Nasser era when the Supreme Council of the Armed Forces assumed nearly complete political and economic control over the country, this novella, based in New York City, looks at the crisis through an American lens. As the story progresses the protagonist learns that the conditions which precipitated the events in Egypt can be viewed at once as both a product of American capitalism and Egyptian complicity, as well as act as a mirror, albeit on a magnified scale, of the changing socio-economic changes in the American landscape over the past few decades. What helps the protagonist discover this common link is his exposure to various characters and events that present the competing ways in which these issues are framed in trans-national cultural and economic contexts, and consequently, how they operate on different registers of entertainment and social efficacy.
TOPICAL NAME USED AS SUBJECT
Economics; Middle Eastern Studies; International Relations
UNCONTROLLED SUBJECT TERMS
Subject Term
Social sciences;American perspective;Egyptian revolution;Middle East