عنوان
پدید آورنده
موضوع
رده
کتابخانه
محل استقرار
NATIONAL BIBLIOGRAPHY NUMBER
Number
TL48423
LANGUAGE OF THE ITEM
.Language of Text, Soundtrack etc
اسپانیایی
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
Francisco da Costa y su Cancionero. lírica y dramaturgia desde el exilio africano en el contexto de la unión iberica
General Material Designation
[Thesis]
First Statement of Responsibility
Vasiliki Velliou
Subsequent Statement of Responsibility
Martinez Torrejon, Jose Miguel
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
City University of New York
Date of Publication, Distribution, etc.
2015
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
489
GENERAL NOTES
Text of Note
Committee members: Schwartz, Lia; del Valle, Jose
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-339-08082-6
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
Ph.D.
Discipline of degree
Hispanic & Luso-Brazilian Literatures & Languages
Body granting the degree
City University of New York
Text preceding or following the note
2015
SUMMARY OR ABSTRACT
Text of Note
During the 15th and 16th century the coast of Morocco became a bone of contention between the neighboring kingdoms of Spain and Portugal and the Ottoman Empire. Geographically privileged the city of Fes grew into a pole of attraction for traders and soldiers of fortune, turning this Mediterranean corner into a melting pot of peoples and religions. Francisco da Costa, a noble diplomat from Lisbon was sent to Fes after the Battle of the Three Kings (1578) in order to negotiate the ransom of the Spanish and Portuguese prisoners. The ambassador managed to rescue and send back to the Peninsula an elevated number of hostages but himself never left Morocco. Forgotten and abandoned by his new King, Felipe II and all the nobles he helped, he died in Fes. During the long eleven years of his mission Da Costa produced a considerable amount of poetry, both lyric and religious as well as theatrical plays, gathered in one manuscript volume, his Cancionero, which after his death was sent to his wife in Lisbon. This Dissertation will study this Cancionero, today in the possession of the National Library of Portugal, and make a critical edition of the theatrical plays that constitute a portrait of this multicultural society and of the author himself: A Christian living in the Jewish neighborhood of a predominantly Muslim society. We will examine Da Costa's plays taken to the stage and see how under the innocent mask of entertainment lies a clear political agenda.
TOPICAL NAME USED AS SUBJECT
Latin American literature; Religion; Armed forces; Theater; Drama; Poetry; Negotiation; Politics; Portuguese; Spanish; Manuscripts; Multiculturalism & pluralism
UNCONTROLLED SUBJECT TERMS
Subject Term
Language, literature and linguistics;Drama;Exile;Fes;Poetry;Portugal;Spain
PERSONAL NAME - PRIMARY RESPONSIBILITY
Maer, Maria Natalia Damayanti
PERSONAL NAME - SECONDARY RESPONSIBILITY
Martinez Torrejon, Jose Miguel
CORPORATE BODY NAME - SECONDARY RESPONSIBILITY
Subdivision
Hispanic & Luso-Brazilian Literatures & Languages
City University of New York
LOCATION AND CALL NUMBER
Call Number
1725140527; 3724561
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب p
[Thesis]
276903
a
Y
