'Iraq is the new Black': Performing Arabness in Arab American hip-hop
General Material Designation
[Thesis]
First Statement of Responsibility
Timothy J. Dolan
Subsequent Statement of Responsibility
Tuohy, Sue M. C.
.PUBLICATION, DISTRIBUTION, ETC
Name of Publisher, Distributor, etc.
Indiana University
Date of Publication, Distribution, etc.
2014
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
105
GENERAL NOTES
Text of Note
Committee members: Leon, Javier; Orejuela, Fernando
NOTES PERTAINING TO PUBLICATION, DISTRIBUTION, ETC.
Text of Note
Place of publication: United States, Ann Arbor; ISBN=978-1-303-96157-1
DISSERTATION (THESIS) NOTE
Dissertation or thesis details and type of degree
M.A.
Discipline of degree
Folklore and Ethnomusicology
Body granting the degree
Indiana University
Text preceding or following the note
2014
SUMMARY OR ABSTRACT
Text of Note
This thesis examines the words and works of six Arab American rappers who use hip-hop music as a tool to create and represent selves that are informed by both individual experience and multiple group identities. In doing so, each of these six artists confront a particular category of identity, the category of the 'Arab' or the 'Arab American,' a label with multiple interpretations and meanings. It draws on the theories of Foucault, Butler, and Nora to argue that each of these artists uses the power of hip-hop as a discursive medium to grapple with the normative concept of Arabness, using words to take control of the patterns of signification associated with this category and to reorganize its meanings, both within public discourses and within their own understandings of self.
TOPICAL NAME USED AS SUBJECT
Folklore; Music; Ethnic studies
UNCONTROLLED SUBJECT TERMS
Subject Term
Social sciences;Communication and the arts;Arabness;Hip-hop;Identity;Memory;Normativity;Technologies of the self