Introduction / Frederick Burwick and Paul Douglass -- 1. Wordsworth's Italian encounters / Marilyn Gaull -- 2. Sitting in Dante's throne: Wordsworth and Italian nationalism / Bruce Graver -- 3. Byron between Ariosto and Tasso / Nicholas Halmi -- 4. Byron and Alfieri / Peter Cochran -- 5. Picturing Byron's Italy and Italians: Finden's illustrations to Byron's life and works / Paul Douglass -- 6. Realms without a name: Shelley and Italy's intenser day / Michael O'Neill -- 7. 'Epipsychidion', Dante, and the renewable life / Stuart Curran -- 8. The poetry of philology: Burckhardt's 'Civilization of the Renaissance in Italy' and Mary Shelley's 'Valperga' / Tilottama Rajan -- 9. Hemans's record of Dante: "The Maremma" and the intertextual poetics of plenitude / Diego Saglia -- Germaine de Staël's 'Corinne, or Italy' (1807) and the performance of Romanticism(s) / Diane Long Hoeveler -- 11. Coleridge, Sgricci, and the shows of London: improvising in print and performance / Angela Esterhammer -- 12. Masaniello on the London stage / Frederick Burwick -- 13. Re-visioning Rimini: Dante in the Cockney school / Jeffrey N. Cox -- 14. "Syllables of the sweet south": the sound of Italian in the Romantic period / Timothy Webb
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SUMMARY OR ABSTRACT
Text of Note
"Starting with a new understanding of what Romantic-era literature is--and who wrote it--the essays here reassess British Romanticism in light of Dante, Ariosto, Tasso, Alfieri, and contemporary Italian figures such as Paganini and the improvvisatore Tommaso Sgricci. The British absorption of Italian literature and culture was mediated by authors residing in Florence, Naples, Pisa, and Rome, including Wordsworth, Coleridge, Hunt, Byron, the Shelleys, and Hemans. Providing insights on topics from the artistic practice of improvisation to the politics of nationalism, this volume... extends our understanding between the relations between British and Italian culture."--
PERSONAL NAME USED AS SUBJECT
Dante Alighieri,1265-1321-- Criticism and interpretation