the digital photographer's guide to color management /
First Statement of Responsibility
Tim Grey
EDITION STATEMENT
Edition Statement
Second edition
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Indianapolis, Ind. :
Name of Publisher, Distributor, etc.
Wiley,
Date of Publication, Distribution, etc.
2006
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xv, 256 pages :
Other Physical Details
illustrations ;
Dimensions
26 cm
GENERAL NOTES
Text of Note
Includes index
CONTENTS NOTE
Text of Note
The Nature of Light -- Light in Photography -- The Nature of Color -- Perceived Color -- The Color Wheel -- Color Models -- Metamerism -- Color Profiles -- Rendering Intents -- Introducing Color Management -- Limitations of Color Management -- Photoshop Setup -- Color Settings -- Settings Dropdown -- More Options -- Working Spaces -- Color Management Policies -- Conversion Options -- Advanced Controls -- Saving and Loading Color Settings -- Warnings -- Gamut Warning Preferences -- Embedded Profile Mismatch -- Paste Profile Mismatch -- Missing Profile -- Embedded Profile Mismatch Alert -- Assigning and Converting Profiles -- Assign Profile -- Convert to Profile -- Display -- Choosing a Monitor -- Monitor Adjustments -- Brightness -- Resolution -- Contrast Ratio -- Pixel Pitch -- Pixel Response Time -- Display Size -- Viewing Angle -- Special Concerns -- Choosing a Display Adapter -- Calibrating and Profiling Your Monitor -- Target Values -- Preparing to Profile -- Tools for Calibrating and Characterizing -- Evaluation -- Frequency -- Display Conditions -- Scanning -- Choosing a Scanner -- Flatbed versus Film Scanner -- Resolution -- Dynamic Range -- Bit-Depth -- Software Issues -- Approaches to Scanning -- Information Method -- Accuracy Method -- Scanner Profiles -- MonacoEZcolor -- GretagMacbeth Eye-One Photo -- Assigning a Scanner Profile -- Evaluating Scans -- Digital Capture -- Digital Cameras -- Features to Look For -- Basic Camera Settings -- Managing Digital Camera Color -- White Balance Presets -- Custom White Balance -- Custom Camera Profiles -- Automating Profile Assignments in Photoshop -- RAW Capture and Conversion -- Working Space Issues -- Tagged Images -- Untagged Images -- Optimization -- Evaluating Images -- Memory Colors -- Saturation Testing -- Making Color Adjustments -- Color Balance -- Color Balance with Levels -- Color Balance with Curves -- Neutral by the Numbers -- Selective Color -- Hue/Saturation -- Targeted Adjustments -- Color-Adjusting Black-and-White Images -- Convert with Channel Mixer -- Colorize for Print -- Saving the File -- File Formats -- Embedded Profiles -- Output -- Choosing a Printer -- Printer Profiles -- Building Custom Printer Profiles -- Using "Canned" Printer Profiles -- Using Generic Profiles -- Choosing a Rendering Intent -- Preparing Images -- Soft Proofing -- Gamut Warning -- Adjusting Images -- Print Preparation -- Print Setup -- Print with Preview -- Printer Properties -- Printing with a RIP -- QuadTone RIP -- ImagePrint -- Evaluating Prints -- Environment -- Standard Print Target -- When Prints Don't Match -- CMYK Output -- RGB with Proof Print -- Converting to CMYK -- Web, E-mail, and Digital Slideshows -- Flatten the Image -- Resize the Image -- Convert to sRGB -- Save the Image -- Digital Projector Profiling -- Workflow -- Predictable Output -- The Pre-Workflow Checklist -- Process-Specific Workflows -- Scan-to-Print Workflow -- Digital Capture to Print Workflow -- Web, E-mail, and Digital Projection Workflow -- CMYK Output Workflow