the correspondence of Ezra Pound and E.E. Cummings /
First Statement of Responsibility
edited by Barry Ahearn.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Ann Arbor :
Name of Publisher, Distributor, etc.
University of Michigan Press,
Date of Publication, Distribution, etc.
c1996.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xii, 442 p. :
Other Physical Details
ill. ;
Dimensions
24 cm.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index.
SUMMARY OR ABSTRACT
Text of Note
Ezra Pound and E. E. Cummings carried on a long and varied correspondence from the 1920s until Cummings's death in 1962. This volume collects all of the letters from this important friendship in the history of modern poetry. Throughout the correspondence both poets reveal themselves and their beliefs to a remarkable degree. Pound entrusted to Cummings details of his political outlook in the 1930s and 1940s, including his opinions about Mussolini's Italy. The letters to Cummings also shed new light on the question of Pound's sanity after World War II. Although he was diagnosed as mentally unfit, the letters generally show no evidence of paranoia, only of his characteristic eccentricity.
Text of Note
Similarly, these letters should provoke a reevaluation of Cummings. Critics have treated Cummings's political views as either strictly private matters or merely incidental to his art. The letters, however, show that Cummings's radically conservative political opinions are wholly consistent with his poetics, and raise the question of the relation between Cummings's political principles and his enthusiasm for particular forms (and particular stars) of mass entertainment. In addition to their political revelations, the letters are steeped in the literary climate - and literary gossip - of the times. Pound comments often and candidly on Cummings's poetry and prose; both Pound and Cummings send light verse to each other. And the poets exchange anecdotes about such figures as Henry James, Wyndham Lewis, T. S. Eliot, Edmund Grosse, Max Eastman, and Aldous Huxley, among other writers.
Text of Note
There is much here to interest and delight both fans and foes of Pound and Cummings. The book will be of primary importance to students and scholars of modern poetry, especially those who emphasize the intersection of literary works and political history.