Distributed exclusively in the USA by St. Martin's Press
Date of Publication, Distribution, etc.
2000
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 212 pages :
Other Physical Details
illustrations ;
Dimensions
23 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index
CONTENTS NOTE
Text of Note
But eastward, look, the land is brighter : towards a topography of utopia in the Stalinist musical / Richard Taylor -- Entertained by the class enemy : cinema programming policy in the German Democratic Republic / Rosemary Stott -- The forbidden films : film censorship in the wake of the Eleventh Plenum / Daniela Berghahn -- Sex and subversion in German Democratic Republic cinema : The legend of Paul and Paula (1973) / Andrea Rinke -- The good soldier Švejk and after : the comic tradition in Czech film / Peter Hames -- Cheaper by the dozen : La gran familia, Francoism and Spanish family comedy / Peter William Evans -- Displacing the hero : masculine ambivalence in the cinema of Luis García Berlanga / Parvati Nair -- 'When you're not a worker yourself ... ' : Godard, the Dziga Vertov Group and the audience / Steve Cannon -- Quand une femme n'en est pas une : gendered spectatorship and feminist scopophilia in the early films of Jean-Luc Godard / Eliane Meyer -- The fictionalisation of terrorism in West German cinema / Stefan Wolff -- Of human bondage and male bonding : male relationships in recent Russian cinema / David Gillespie -- Entertainment--but where's the ideology? Truffaut's last films / Diana Holmes -- Performance in the films of Agnès Varda / Alison Smith -- Singing our song : music, memory and myth in contemporary European cinema / Wendy Everett -- Transatlantic crossings : ideology and the remake / Julia Dobson -- 'Faith in relations between people' : Audrey Hepburn, Roman holiday and European integration / Peter Krämer
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SUMMARY OR ABSTRACT
Text of Note
This text explores the complex relationship between entertainment, ideology and audiences in European film, through studies that range from the Stalinist musicals of the 1930s, to cinematic representations of masculinity under Franco