art and politics in the age of enterprise culture /
First Statement of Responsibility
Gregory Sholette
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Distributed in the U.S.A. exclusively by Palgrave Macmillan,
Date of Publication, Distribution, etc.
2011
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xvi, 240 p. :
Other Physical Details
ill. ;
Dimensions
23 cm
SERIES
Series Title
Marxism and culture
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. 218-221) and index
CONTENTS NOTE
Text of Note
Art, politics, dark matter : nine prologues -- The grin of the archive -- History that disturbs the present -- Temporary services -- Glut, overproduction, redundancy! -- The unnamable -- Mockstitutions -- Conclusions : nights of amateurs
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SUMMARY OR ABSTRACT
Text of Note
Art is big business, with some artists able to command huge sums of money for their works, while the vast majority are ignored or dismissed by critics. This book shows that these marginalized artists, the 'dark matter' of the art world, are essential to the survival of the elite and that they frequently organize in opposition to them. The author, a politically engaged artist, argues that imagination and creativity in the art world originates and thrives in the non-commercial sector shut off from presitigious galleries and receptions. This broader creative culture feeds the mainstream with new forms and styles that can be commodified and utilized to sustain the few artists admitted into the elite. This dependency, and the advent of inexpensive communication, audio and video technology, has allowed this 'dark matter' of the underground art world to increasinlgy subvert the official art world and intervene politically with both new and old forms of non-capitalist public art. Those interested in interventionist art, collectivism, and the political economy of the art world will find this book essential.--Back cover