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عنوان
Anarchy & culture :

پدید آورنده
David Weir

موضوع
Anarchism,Literature and society,Literature, Modern-- 19th century-- History and criticism,Modernism (Literature),Politics and literature

رده
PN51
.
W345
1997

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

INTERNATIONAL STANDARD BOOK NUMBER

(Number (ISBN
1558490833
(Number (ISBN
1558490841
(Number (ISBN
9781558490833
(Number (ISBN
9781558490840

NATIONAL BIBLIOGRAPHY NUMBER

Number
b518457

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
Anarchy & culture :
General Material Designation
[Book]
Other Title Information
the aesthetic politics of modernism /
First Statement of Responsibility
David Weir

.PUBLICATION, DISTRIBUTION, ETC

Place of Publication, Distribution, etc.
Amherst :
Name of Publisher, Distributor, etc.
University of Massachusetts Press,
Date of Publication, Distribution, etc.
[1997]
Date of Publication, Distribution, etc.
©1997

PHYSICAL DESCRIPTION

Specific Material Designation and Extent of Item
ix, 303 pages ;
Dimensions
24 cm

SERIES

Series Title
Critical perspectives on modern culture

INTERNAL BIBLIOGRAPHIES/INDEXES NOTE

Text of Note
Includes bibliographical references (pages 269-296) and index

SUMMARY OR ABSTRACT

Text of Note
Anarchism is generally understood as a failed ideology, a political philosophy that once may have had many followers but today attracts only cranks and eccentrics. This book argues that the decline of political anarchism is only half the story; the other half is a tale of widespread cultural success. David Weir develops this thesis in several ways. He begins by considering the place of culture in the political thought of the classical anarchist thinkers William Godwin, Pierre-Joseph Proudhon, Mikhail Bakunin, and Peter Kropotkin. He then shows how the perceived "anarchy" of nineteenth-century society induced writers such as Matthew Arnold, Henry James, and Fyodor Dostoyevsky to turn away from politics and seek unity in the idea of a common culture. Yet as other late nineteenth-century writers and artists began to sympathize with anarchism, the prospect of a common culture became increasingly remote. In Weir's view, the affinity for anarchism that developed among members of the artistic avant-garde lies behind much of fin de siecle culture. Indeed, the emergence of modernism itself can be understood as the aesthetic realization of anarchist politics. In support of this contention, Weir shows that anarchism is the key aesthetic principle informing the work of a broad range of modernist figures, from Henrik Ibsen and James Joyce to dadaist Hugo Ball and surrealist Luis Bunuel. Weir concludes by reevaluating the phenomenon of postmodernism as only the most recent case of the migration of politics into aesthetics, and by suggesting that anarchism is still very much with us as a cultural condition

OTHER EDITION IN ANOTHER MEDIUM

Title
Anarchy & culture.

PARALLEL TITLE PROPER

Parallel Title
Anarchy and culture

TOPICAL NAME USED AS SUBJECT

Anarchism
Literature and society
Literature, Modern-- 19th century-- History and criticism
Modernism (Literature)
Politics and literature

DEWEY DECIMAL CLASSIFICATION

Number
809/
.
933358
Edition
21

LIBRARY OF CONGRESS CLASSIFICATION

Class number
PN51
Book number
.
W345
1997

PERSONAL NAME - PRIMARY RESPONSIBILITY

Weir, David,1947 April 20-

CORPORATE BODY NAME - ALTERNATIVE RESPONSIBILITY

Paul Avrich Collection (Library of Congress)

ORIGINATING SOURCE

Date of Transaction
20160712062502.0

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

[Book]

Y

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