iconoclasm, eroticism, and painting in early Modern English drama /
First Statement of Responsibility
Marguerite A. Tassi
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Selinsgrove [Pa.] :
Name of Publisher, Distributor, etc.
Susquehanna University Press,
Date of Publication, Distribution, etc.
c2005
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
259 p. ;
Dimensions
24 cm
SERIES
Series Title
The Apple-Zimmerman series in early modern culture
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. 239-251) and index
CONTENTS NOTE
Text of Note
The power of images in early modern England : prejudices against and defenses of painting and playing -- John Lyly's campaspe and the subtle eroticism of the Elizabethan miniature -- Dramatic uses of portrait properties and face-painting in the boys' theater at St Paul's -- Scandalous counterfeiting : iconophobia, poison, and painting in Arden of Faversham -- "Stretch thine art" : painting passions, revenge, and the painters addition to the Spanish tragedy -- Images lawful and beguiling : ambivalent responses to painting in Shakespeare's drama
0
PERSONAL NAME USED AS SUBJECT
Shakespeare, William,1564-1616-- Knowledge
TOPICAL NAME USED AS SUBJECT
Art and literature-- England-- History-- 16th century
Art and literature-- England-- History-- 17th century
English drama-- Early modern and Elizabethan, 1500-1600-- History and criticism