Aspects of unity in J.S. Bach's partitas and suites :
General Material Designation
[Book]
Other Title Information
an analytical study /
First Statement of Responsibility
David W. Beach.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Rochester, NY :
Name of Publisher, Distributor, etc.
University of Rochester Press,
Date of Publication, Distribution, etc.
2005.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiii, 92 pages :
Other Physical Details
illustrations ;
Dimensions
23 x 29 cm.
SERIES
Series Title
Eastman studies in music,
Volume Designation
v. 33.
ISSN of Series
1071-9989 ;
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (page 89) and index.
CONTENTS NOTE
Text of Note
The role of repetition and variation -- The variation suite -- Harmonic plans -- Motivic parallels -- Structural associations -- Keyboard suite in A minor (BWV 818a) -- French suite VI in E major (BWV 817).
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SUMMARY OR ABSTRACT
Text of Note
Musicians--listeners, performers, and scholars alike--have often felt a profound connectedness between various movements in multimovement works by the great composers. But sensing musical unity is one thing; showing it is another. In Aspects of Unity in J.S. Bach's Partitas and Suites, David Beach examines many of the forty-four works by Bach in this genre-for keyboard, orchestra, and solo instruments, including the beloved solo works for violin and for cello-from this perspective. Through careful attention to motivic and harmonic repetitions at various structural levels, made plain to the eye in numerous annotated musical examples and diagrams, Beach establishes that Bach often did link several movements of a suite in various ways, sometimes by overt but often by more subtle means. Aspects of Unity in J.S. Bach's Partitas and Suites thus provides new insight into the inner workings of these great works [Publisher description].