new directions in authorial film practices in France, Italy and Spain since the 1980s /
First Statement of Responsibility
Rosanna Maule
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Chicago, USA :
Name of Publisher, Distributor, etc.
Intellect,
Date of Publication, Distribution, etc.
2008
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
294 p. :
Other Physical Details
ill. ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. [275]-286) and index
CONTENTS NOTE
Text of Note
The film author and the survival of European cinema -- The middle generation: Maurice Pialat, Gianni Amelio, and Victor Erice -- The difficult legacy of the Nouvelle Vague: Olivier Assayas and French film authors at the end of auteurism -- For an impure cinema: Gabriele Salvatores and the hybrid nature of film authorship in contmporary Italian cinema -- A different type of cinephilia: Alejandro Amenábar and the new generation of Spanish film authors -- Made in Europa: Luc Besson and the question of cultural exception in post-auteur France -- Auteurism and women's cinema in France, Italy and Spain -- Female authors and gendered identity in film: Claire Denis's post-subjective representation -- Feminine matters: Francesca Archibugi and the reconfiguration of women in the private sphere