Includes discography (pages 195-198), bibliographical references (pages 199--208), and index
CONTENTS NOTE
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Henry Flynt on the air -- Landscape with Cage -- John Cage, recording artist -- The antiques trade: free improvisation and record culture -- Remove the records from Texas: online resources and impermanent archives
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SUMMARY OR ABSTRACT
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"John Cage's disdain for records was legendary. He repeatedly spoke of the ways in which recorded music was antithetical to his work. In Records ruin the landscape, David Grubbs argues that, following Cage, new genres in experimental and avant-garde music in the 1960s were particularly ill suited to be represented in the form of a recording. These activities include indeterminate music, long-duration minimalism, text scores, happenings, live electronic music, free jazz, and free improvisation."