Introduction: Endgame: very nearly, but not quite / Mark S. Byron -- Hard-to-hear music in Endgame / Thomas Mansell -- Re-evaluating Endgame / Colin Duckworth -- Memory and its devices in Endgame / Jane E. Gatewood -- Paul Ricoeur and watching Endgame / Michael Guest -- Endgame's remainders / Russell Smith -- Bare interiors, chicken wire cages and subway stations: re-thinking Beckett's response to the ART Endgame in light of earlier productions / Natka Bianchini -- Transcultural Endgame/s / Antonia Rodríguez-Gago -- Masking and the social construct of the body in Beckett's Endgame / Mary F. Catanzaro -- Hamm stammered: Beckett, Deleuze, and the atmospheric stuttering of Endgame / Paul Shields -- But why Shakespeare? The muted role of Dickens in Endgame / Paul Stewart -- Hamming it up in Endgame: a theatrical reading / Kate Dorney -- Endgame and performance / Julie Campbell
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PERSONAL NAME USED AS SUBJECT
Beckett, Samuel,1906-1989., Fin de partie-- Criticism, Textual