The instrumental music of Schmeltzer, Biber, Muffat and their contemporaries /
General Material Designation
[Book]
First Statement of Responsibility
Charles E. Brewer
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xxvi, 411 pages :
Other Physical Details
illustrations, music ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 377-401) and index
CONTENTS NOTE
Text of Note
Stylus phantasticus and stylus hyporchematicus : concepts of instrumental music in late seventeenth-century Central and East-Central Europe -- Johann Heinrich Schmeltzer (c.1620/23-1680) and music at the Viennese court -- The chapel of Prince-Bishop Carl Liechtenstein-Castelcorn -- Biber and Muffat at Salzburg -- The dissemination and dissolution of the stylus phantasticus
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SUMMARY OR ABSTRACT
Text of Note
Based on primary sources, many of which have never been published or examined in detail, this book examines the music of the late seventeenth-century composers, Biber, Schmeltzer and Muffat, and the compositions preserved in the extensive Moravian archives in Kromeriz. These works have never before been fully examined in the cultural and conceptual contexts of their time. Charles E. Brewer sets these composers and their music within a framework that first examines the basic Baroque concepts of instrumental style, and then provides a context for the specific works. The dances of Schmeltzer, for example, functioned both as incidental music in Viennese operas and as music for elaborate court pantomimes and balls. These same cultural practices also account for some of Biber's most programmatic music, which accompanied similar entertainments in Kromeriz and Salzburg. The many sonatas by these composers have also been misunderstood by not being placed in a context where it was normal to be entertained in church and edified in court. Many of the works discussed here remain unpublished but have, in recent years, been recorded. This book enhances our understanding and appreciation of these recordings by providing an analysis of the context in which the works were first performed [Publisher description]
PERSONAL NAME USED AS SUBJECT
Biber, Heinrich Ignaz Franz,1644-1704-- Criticism and interpretation
Liechtenstein-Castelcorn, Karl,-1695
Muffat, Georg,1653-1704-- Criticism and interpretation
Schmelzer, Johann Heinrich,approximately 1623-1680-- Criticism and interpretation
TOPICAL NAME USED AS SUBJECT
Instrumental music-- Austria-- 17th century-- History and criticism