public criticism from Samuel Johnson to James Wood /
First Statement of Responsibility
James Ley
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
240 pages ;
Dimensions
22 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 217-230) and index
CONTENTS NOTE
Text of Note
Introduction -- A Degree of Insanity: Samuel Johnson (1709-1784) -- Fire from the Flint: William Hazlitt (1778-1830) -- A Thyesteän Banquet of Clap-Trap: Matthew Arnold (1822-1888) -- The Principles of Modern Heresy: T.S. Eliot (1888-1965) -- 'I do like the West and wish it would stop declining': Lionel Trilling (1905-1975) -- The Secular Wood: James Wood (1965- )
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SUMMARY OR ABSTRACT
Text of Note
"Explores the work of six influential literary critics, across three centuries, in order to consider the role of the literary critic as a public figure"--
Text of Note
"The Critic in the Modern World explores the work of six influential literary critics--Samuel Johnson, William Hazlitt, Matthew Arnold, T.S. Eliot, Lionel Trilling and James Wood--each of whom occupies a distinct historical moment. It considers how these representative critics have constructed their public personae, the kinds of arguments they have used, and their core principles and philosophies. Spanning three hundred years of cultural history, The Critic in the Modern World considers the various ways in which literary critics have positioned themselves in relation to the modern tradition of descriptive criticism. In providing a lucid account of each critic's core principles and philosophies, it considers the role of the literary critic as a public figure, interpreting him as someone who is compelled to address the wider issues of individualism and the social implications of the democratising, secularising, liberalising forces of modernity"--
PARALLEL TITLE PROPER
Parallel Title
Public criticism from Samuel Johnson to James Wood