عنوان
پدید آورنده
موضوع
رده
N7391.65
N7391
.
65
کتابخانه
محل استقرار
INTERNATIONAL STANDARD BOOK NUMBER
(Number (ISBN
1118515056
(Number (ISBN
1118515102
(Number (ISBN
9781118515051
(Number (ISBN
9781118515105
Erroneous ISBN
9781444338379
NATIONAL BIBLIOGRAPHY NUMBER
Number
dltt
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
A companion to modern African Art /
General Material Designation
[Book]
First Statement of Responsibility
edited by Gitti Salami and Monica Blackmun Visona
EDITION STATEMENT
Edition Statement
First edition
Edition Statement
First edition
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
1 online resource (xxi, 626 pages).
SERIES
Series Title
Wiley Blackwell companions in art history ;
Volume Designation
6
GENERAL NOTES
Text of Note
8 Congolese and Belgian Appropriations of the Colonial Era: The Commissioned Work of Tshelantende (Djilatendo) and Its Reception
Text of Note
Edition statement from running title area
CONTENTS NOTE
Text of Note
Cover; WILEY BLACKWELL COMPANIONS TO ART HISTORY; Title page; Copyright page; Dedication; List of Figures; Notes on Contributors; Acknowledgments; Note; Part I: Introduction; 1 Writing African Modernism into Art History; Narrations of Modernism and Modernity; Centering Narratives on Africa's Art Worlds; Chapter Overview; Lacunae and Disjunctures; Notes; References; Part II: "Africa Has Always Been Modern"; 2 Local Transformations, Global Inspirations: The Visual Histories and Cultures of Mami Wata Arts in Africa; Sacred Waters: Ancient and Indigenous Arts for African Water Deities
Text of Note
Afro-Mami Meets Euro-Mermaid: A Fifteenth-Century Sapi SynthesisThe Mermaid: A Floating Signifier; The Double-Tailed Mermaid in the Art of Benin; Mami Wata and the Image of the Snake Charmer; The Snake Charmer as Mami Wata in Africa; Mami Wata and Hindu Gods and Goddesses; Communicating with Mami Wata: Writing, Reflecting, Calling; Troubled Waters: From Saint to Sinner; Notes; References; Part III: Art in Cosmopolitan Africa: The Nineteenth Century; 3 Loango Coast Ivories and the Legacies of Afro-Portuguese Arts; Hybrids at Hello; Contact and Catastrophe; Afro-Portuguese Ivories
Text of Note
Invisibility and DifferenceLast Word: The Lines of a Future Argument; Notes; References; Part IV: Modernities and Cross-Cultural Encounters in Arts of the Early Twentieth Century; 7 "One of the Best Tools for Learning": Rethinking the Role of 'Abduh's Fatwa in Egyptian Art History; Introduction; Art, Islam, and the Imam; An Insightful Traveler's Observations; "And They Do Not Spare Any Effort in Preserving These Things"; Al-Suwar wa-l-Tamathil: A Fatwa without Fine Arts; Between the Educational and the Legal; The Fatwa's Five Parts; Conclusion; Notes; References
Text of Note
The Democratization of Photography: The Case of Fumban, CameroonNotes; References; 5 At Home in the World: Portrait Photography and Swahili Mercantile Aesthetics; "Modernity" in African Art History; Challenging "Modernity" and "Place" on the Swahili Coast; Photography and the Colonial Moment; A Swahili Culture of Things; Portrait Photographs as Objects; Modernity on the Edge; Notes; References; 6 African Reimaginations: Presence, Absence, and New Way Architecture; The Scenario for a New History of the Modern; The Palace and the Mosque; Lacuna and History; Removals and Reinstallations
Text of Note
The Loango Ivories"Authenticity": Drawing the Line; Pointed Imagery; More Animal Tales; Double-Take; Notes; References; 4 Roots and Routes of African Photographic Practices: From Modern to Vernacular Photography in West and Central Africa (1850-1980); "COME ONE! COME ALL! and secure the shadow ere it fades"; Toward a History of Photography in West and Central Africa; Pioneer Photographers and Their Customers along the West and Central African Coasts; From Monrovia to Libreville: The Careers of Several African Pioneer Photographers
0
8
8
8
8
SUMMARY OR ABSTRACT
Text of Note
Offering a wealth of perspectives on African modern and Modernist art from the mid-nineteenth century to the present, this new Companion features essays by African, European, and North American authors who assess the work of individual artists as well as exploring broader themes such as discoveries of new technologies and globalization. A pioneering continent-based assessment of modern art and modernity across AfricaIncludes original and previously unpublished fieldwork-based materialFeatures new and complex theoretical arguments about the nature of modernity
OTHER EDITION IN ANOTHER MEDIUM
Title
Companion to modern African art.
International Standard Book Number
9781444338379
TOPICAL NAME USED AS SUBJECT
Art, African-- 19th century.
Art, African-- 20th century.
Art, African-- 21st century.
LIBRARY OF CONGRESS CLASSIFICATION
Class number
N7391
.
65
PERSONAL NAME - ALTERNATIVE RESPONSIBILITY
Salami, Gitti
Visonà, Monica Blackmun,1953-
CORPORATE BODY NAME - ALTERNATIVE RESPONSIBILITY
Ohio Library and Information Network.
Wiley Online Library (Online service)
ORIGINATING SOURCE
Date of Transaction
20131207151327.0
Cataloguing Rules (Descriptive Conventions))
rda
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب [Book]
Y
