Introduction / David Boyd and R. Barton Palmer -- From stage to page / Thomas Leitch -- Hitchcock and The three pleasure gardens / Sidney Gottlieb -- Hitchcock and The Manxman: a Victorian bestseller on the silent screen / Mary Hammond -- Blackmail: Charles Bennett and the decisive turn / Carles Barr -- The man who knew too much: Alfred Hitchcock, John Buchan and the thrill of the chase / Mark Glancy -- Secret agent: coming in from the cold, Maugham style / R. Barton Palmer -- The lady vanishes: but she won't go away / Noel King and Toby Miller -- The trouble with Rebecca / David Boyd -- Depth psychology on the surface: Hitchcock's Spellbound / Alan Woolfolk -- Unrecognizable origins: The song of the dragon and Notorious / Matthew H. Bernstein -- Morbid psychologies and so forth: The fine art of rope / David Sterritt -- Under a distemperate star: Under Capricorn (1949) / Constantine Verevis -- Bruno's game or the case of the sardonic psychopath / Douglas McFarland -- Alfred Hitchcock presents Dial m for murder: the submerged televisuality of a stage to big screen adaptation / Ina Rae Hark -- The author of this claptrap: Cornell Woolrich, Alfred Hitchcock and Rear window / Pamela Robertson Wojcik -- To catch a thief: light reading on a dark topic / Hilary Radner -- Woman-as-death: Vertigo as source / Barbara Creed -- Psycho: trust the tale / Brian McFarlane -- Thirteen ways of looking at The birds / Murray Pomerance -- A brief anatomy of Family plot / Lesley Brill
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PERSONAL NAME USED AS SUBJECT
Hitchcock, Alfred,1899-1980-- Criticism and interpretation