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عنوان
A social history of Iranian cinema /

پدید آورنده
Hamid Naficy

موضوع
Motion pictures-- Iran-- History,Motion pictures-- Social aspects-- Iran

رده
PN1993
.
5
.
I846
N34
2011

کتابخانه
Center and Library of Islamic Studies in European Languages

محل استقرار
استان: Qom ـ شهر: Qom

Center and Library of Islamic Studies in European Languages

تماس با کتابخانه : 32910706-025

INTERNATIONAL STANDARD BOOK NUMBER

(Number (ISBN
0822347547
(Number (ISBN
0822347555
(Number (ISBN
0822347741
(Number (ISBN
082234775X
(Number (ISBN
0822348659
(Number (ISBN
0822348667
(Number (ISBN
0822348772
(Number (ISBN
0822348780
(Number (ISBN
9780822347545
(Number (ISBN
9780822347552
(Number (ISBN
9780822347743
(Number (ISBN
9780822347750
(Number (ISBN
9780822348658
(Number (ISBN
9780822348665
(Number (ISBN
9780822348771
(Number (ISBN
9780822348788

NATIONAL BIBLIOGRAPHY NUMBER

Number
dltt

TITLE AND STATEMENT OF RESPONSIBILITY

Title Proper
A social history of Iranian cinema /
General Material Designation
[Book]
First Statement of Responsibility
Hamid Naficy

.PUBLICATION, DISTRIBUTION, ETC

Place of Publication, Distribution, etc.
Durham [N.C.] :
Name of Publisher, Distributor, etc.
Duke University Press,
Date of Publication, Distribution, etc.
2011-2012

PHYSICAL DESCRIPTION

Specific Material Designation and Extent of Item
4 volumes :
Other Physical Details
illustrations ;
Dimensions
25 cm

INTERNAL BIBLIOGRAPHIES/INDEXES NOTE

Text of Note
Includes bibliographical references and index

CONTENTS NOTE

Text of Note
v. 1. The artisanal era, 1897-1941. Preface: how it all began ; Introduction: national cinema, modernity, and Iranian national identity ; Artisanal silent cinema in the Qajar Period ; Ideological and spectatorial formations ; State formation and nonfiction cinema: syncretic Westernization during the first Pahlavi Period ; A transitional cinema: the feature film industry and sound cinema ; Modernity's ambivalent sujectivitiy: dandies and the dandy movie genre -- v. 2. The industrializing years, 1941-1978. International haggling over Iranian public screens ; The statist documentary cinema and its alternatives ; Commerical cinema's evolution: from artisanal mode to hybrid production ; Family melodramas and comedies: the stewpot movie genre ; Males, masculinity, and power: the tough-guy movie genre and its evolution ; A dissident cinema: new-wave films and the end of an era -- v. 3. The Islamicate period, 1978-1984. Transition from "cinema of idolatry" to an "Islamicate cinema" ; Documenting the uprising, the revolution, and the emerging opposition ; Consolidating a new "Islamicate" cinema and film culture -- v. 4. The globalizing era, 1984-2010. The resurgence of nonfiction cinema: postrevolutionary documentaries and fiction war films ; Under cover, on screen: women's representation and women's cinema ; All certainties melt into thin air: art-house cinema, a "postal" cinema ; Emergent contestatory films, media culture, and public diplomacy ; Iranian, but with a different accent: a cinema of displacement or a displaced cinema? ; Appendix A: Iranian films in distribution (c. 2005) ; Appendix B: Film house of Iran's film collection ; Appendix C: International film and video center Iranian film collection
0

TOPICAL NAME USED AS SUBJECT

Motion pictures-- Iran-- History
Motion pictures-- Social aspects-- Iran

LIBRARY OF CONGRESS CLASSIFICATION

Class number
PN1993
.
5
.
I846
Book number
N34
2011

PERSONAL NAME - PRIMARY RESPONSIBILITY

Naficy, Hamid

ORIGINATING SOURCE

Date of Transaction
20160119111652.0

ELECTRONIC LOCATION AND ACCESS

Electronic name
 مطالعه متن کتاب 

[Book]

Y

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