Eugene O'Neill, Tennessee Williams, and U.S. dramatic realism /
First Statement of Responsibility
Anne Fleche
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 134 pages ;
Dimensions
22 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 125-130) and index
CONTENTS NOTE
Text of Note
1. Introduction: Eugene O'Neill, Tennessee Williams, and U.S. Dramatic Theory, 1935-1947 -- 2. Long Day's Journey into Night: The Seen and the Unseen -- 3. The Iceman Cometh: Buying Time -- 4. The Glass Menagerie: Loss and Space -- 5. A Streetcar Named Desire: Spatial Violation and Sexual Violence
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SUMMARY OR ABSTRACT
Text of Note
Mimetic Disillusion reevaluates the history of modern U.S. drama in general and the dramatic art of O'Neill and Williams specifically, showing how at mid-century drama in America shifted away from representational theatre, toward a poststructuralist "disillusionment" with mimesis. The book focuses on two major writers of the 1930s and 1940s - Eugene O'Neill and Tennessee Williams - one whose writing career was just ending and the other whose career was just beginning. In new readings of their major works of this period, Long Day's Journey into Night, The Iceman Cometh, The Glass Menagerie, and A Streetcar Named Desire, Fleche develops connections to the writings of Jacques Derrida, Paul de Man, and Michel Foucault, among others, and discusses poststructuralism in the light of such modern writers as Bertolt Brecht, Antonin Artaud, and Walter Benjamin
OTHER EDITION IN ANOTHER MEDIUM
Title
Mimetic disillusion.
PERSONAL NAME USED AS SUBJECT
O'Neill, Eugene,1888-1953-- Criticism and interpretation
Williams, Tennessee,1911-1983-- Criticism and interpretation
TOPICAL NAME USED AS SUBJECT
American drama-- 20th century-- History and criticism
Realism in literature
Réalisme dans la littérature
Théâtre américain - 20e siècle - Histoire et critique