variations in the literary iambic pentameter from Sidney and Spenser to Matthew Arnold /
First Statement of Responsibility
David Keppel-Jones.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Ithaca :
Name of Publisher, Distributor, etc.
McGill-Queen's University Press,
Date of Publication, Distribution, etc.
c2001.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xi, 280 p. :
Other Physical Details
ill. ;
Dimensions
24 cm.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. [269]-274) and index.
CONTENTS NOTE
Text of Note
1. The Unvaried Line -- 2. Extra Syllables -- 3. The Choriamb -- 4. The Minor Ionic -- 5. The Second Epitrite -- 6. Review of Radical Variations -- 7. Variations Based on the Spondee -- 8. Variations Based on the Pyrrhic -- 9. Combinations -- 10. The Renaissance -- 11. The Interregnum and the Restoration -- 12. The Eighteenth Century -- 13. The Romantics -- 14. The Victorians -- App. The Placement of Variations and the Caesura.
0
SUMMARY OR ABSTRACT
Text of Note
"A central issue in the recent surge of interest in metre on the part of theorists in different disciplines and practicing poets has been that of variations in the iambic pentameter. Keppel-Jones approaches this subject in a way that somewhat resembles Derek Attridge's, but is in fact very different." "The Strict Metrical Tradition focuses on a period of 275 years, during which iambic pentameter variations were conducted with special precision. Representative blocks of verse are chosen from major poets in original authoritative editions, and each variation is analysed on the basis of all cases of that variation. To give precision to certain of the principles, Keppel-Jones follows the linguist Bruce Hayes' definitions of boundaries between word-groups, but handles this material in such a way as to be understood by the general reader." "The practical result of this study is a new metre that allows Keppel-Jones to apply the principles of iambic variation to the anapest. His fascinating and original approach to iambic pentameter will appeal to scholars in the field and also to people with a general interest in poetry."--Jacket.