عنوان
پدید آورنده
موضوع
رده
N6512.5.P6 H37 2001
N6512
.
5
.
P6
H37
2001
کتابخانه
محل استقرار
INTERNATIONAL STANDARD BOOK NUMBER
(Number (ISBN
0521791154 (hardback)
(Number (ISBN
9780521791151 (hardback)
NATIONAL BIBLIOGRAPHY NUMBER
Number
dltt
TITLE AND STATEMENT OF RESPONSIBILITY
Title Proper
Pop art and the origins of post-modernism /
General Material Designation
[Book]
First Statement of Responsibility
Sylvia Harrison.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Cambridge University Press,
Date of Publication, Distribution, etc.
2001.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
vii, 280 p. ;
Dimensions
24 cm.
SERIES
Series Title
Contemporary artists and their critics
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. 223-273) and index.
CONTENTS NOTE
Text of Note
Pt. 1. Theoretical Framework. 1. Post-Modernist Assumptions -- Pt. 2. "Social" Critics. 2. Lawrence Alloway: Pop Art and the "Pop Art-Fine Art Continuum" 3. Harold Rosenberg: Pop Art and the "De-definition" of Both Art and "Self" 4. Leo Steinberg: Pop, "Post-Modernist" Painting, and the Flatbed Picture Plane -- Pt. 3. "Philosophical" Critics. 5. Barbara Rose: Pop, Pragmatism, and "Prophetic Pragmatism" 6. Max Kozloff: A Phenomenological Solution to "Warholism" and Its Disenfranchisement of the Critic's Interpretive and Evaluative Roles -- Pt. 4. "Cultural" Critics. 7. Susan Sontag: Pop, the Aesthetics of Silence, and the New Sensibility.
0
SUMMARY OR ABSTRACT
Text of Note
"Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of a group of New York-based critics, including Leo Steinberg, Susan Sontag, and Max Kozloff, among others, Sylvia Harrison demonstrates how their ideas - broadly categorized as either sociological or philosophical - bear a striking similarity to the body of thought and opinion that is now associated with deconstructive post-modernism. Perceived through these disciplinary lenses, Pop Art arises as not only a reflection of the dominance of mass communications and capitalist consumerism in post-war American society but also as a subversive commentary on worldviews and the factors necessary for their formation."--BOOK JACKET.
TOPICAL NAME USED AS SUBJECT
Pop art-- United States-- Influence.
Postmodernism-- United States.
LIBRARY OF CONGRESS CLASSIFICATION
Class number
N6512
.
5
.
P6
Book number
H37
2001
PERSONAL NAME - PRIMARY RESPONSIBILITY
Harrison, Sylvia,1947-
ORIGINATING SOURCE
Date of Transaction
20140220050729.0
ELECTRONIC LOCATION AND ACCESS
Electronic name
مطالعه متن کتاب [Book]
Y
