عنوان

The Cambridge companion to fantasy literature /

(Number (ISBN

0521429595

(Number (ISBN

0521728738 (pbk.)

(Number (ISBN

9780521429597

(Number (ISBN

9780521728737 (pbk.)

Number

dltt

Title Proper

The Cambridge companion to fantasy literature /

General Material Designation

[Book]

First Statement of Responsibility

edited by Edward James and Farah Mendlesohn

Place of Publication, Distribution, etc.

New York :

Name of Publisher, Distributor, etc.

Cambridge University Press,

Date of Publication, Distribution, etc.

c2012

Specific Material Designation and Extent of Item

xxiv, 268 p. ;

Dimensions

24 cm

Series Title

Cambridge companions to topics

Text of Note

Includes bibliographical references (p. 257-261) and index

Text of Note

Includes bibliographical references and index

Text of Note

Machine generated contents note: Introduction Edward James and Farah Mendlesohn; Part I. Histories: 1. Fantasy from Dryden to Dunsany Gary K. Wolfe; 2. Gothic and horror fiction Adam Roberts; 3. American fantasy, 1820-1950 Paul Kincaid; 4. The development of children's fantasy Maria Nikolajeva; 5. Tolkien, Lewis, and the explosion of genre fantasy Edward James; Part II. Ways of Reading: 6. Structuralism Brian Attebery; 7. Psychoanalysis Andrew M. Butler; 8. Political readings Mark Bould and Sherryl Vint; 9. Modernism and postmodernism Jim Casey; 10. Thematic criticism Farah Mendlesohn; 11. The languages of the fantastic Greer Gilman; 12. Reading the fantasy series Kari Maund; 13. Reading the slipstream Gregory Frost; Part III. Clusters: 14. Magical realism Sharon Sieber; 15. Writers of colour Nnedi Okorafor; 16. Quest fantasies W. A. Senior; 17. Urban fantasy Alexander C. Irvine; 18. Dark fantasy and paranormal romance Roz Kaveney; 19. Modern children's fantasy Charlie Butler; 20. Historical fantasy Veronica Schanoes; 21. Fantasies of history and religion Graham Sleight

8

Text of Note

"Fantasy is a creation of the Enlightenment and the recognition that excitement and wonder can be found in imagining impossible things. From the ghost stories of the Gothic to the zombies and vampires of twenty-first-century popular literature, from Mrs Radcliffe to Ms Rowling, the fantastic has been popular with readers. Since Tolkien and his many imitators, however, it has become a major publishing phenomenon. In this volume, critics and authors of fantasy look at the history of fantasy since the Enlightenment, introduce readers to some of the different codes for the reading and understanding of fantasy and examine some of the many varieties and subgenres of fantasy; from magical realism at the more literary end of the genre, to paranormal romance at the more popular end. The book is edited by the same pair who edited The Cambridge Companion to Science Fiction (winner of a Hugo Award in 2005)"--

Text of Note

"Fantasy is not so much a mansion as a row of terraced houses, such as the one that entranced us in C. S. Lewis's The Magician's Nephew with its connecting attics, each with a door that leads into another world. There are shared walls, and a certain level of consensus around the basic bricks, but the internal decor can differ wildly, and the lives lived in these terraced houses are discrete yet overheard. Fantasy literature has proven tremendously difficult to pin down. The major theorists in the field - Tzvetan Todorov, Rosemary Jackson, Kathryn Hume, W. R. Irwin and Colin Manlove - all agree that fantasy is about the construction of the impossible whereas science fiction may be about the unlikely, but is grounded in the scientifically possible. But from there these critics quickly depart, each to generate definitions of fantasy which include the texts that they value and exclude most of what general readers think of as fantasy. Most of them consider primarily texts of the nineteenth and early twentieth century. If we turn to twentieth-century fantasy, and in particular the commercially successful fantasy of the second half of the twentieth century, then, after Tolkien's classic essay, 'On Fairy Stories', the most valuable theoretical text for taking a definition of fantasy beyond preference and intuition is Brian Attebery's Strategies of Fantasy (1992)"--

Fantasy literature-- Appreciation

Fantasy literature-- History and criticism-- Theory, etc

Fantasy literature, American-- History and criticism

Fantasy literature, English-- History and criticism

Number

Edition

Class number

Book number

James, Edward,1947-

Mendlesohn, Farah

Date of Transaction

20120402232753.0

Electronic name

[Book]

Y