Women travel writers and the language of aesthetics, 1716-1818 /
General Material Designation
[Book]
First Statement of Responsibility
Elizabeth A. Bohls
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 309 pages :
Other Physical Details
illustrations ;
Dimensions
24 cm
SERIES
Series Title
Cambridge studies in Romanticism ;
Volume Designation
13
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 291-305) and index
CONTENTS NOTE
Text of Note
Aesthetics and Orientalism in Mary Wortley Montagu's letters -- Janet Schaw and the aesthetics of colonialism -- Landscape aesthetics and the paradox of the female picturesque -- Helen Maria Williams' revolutionary landscapes -- Mary Wollstonecraft's anti-aesthetics -- Dorothy Wordsworth and the cultural politics of scenic tourism -- The picturesque and the female sublime in Ann Radcliffe's Mysteries of Udolpho -- Aesthetics, gender, and empire in Mary Shelley's Frankenstein
0
SUMMARY OR ABSTRACT
Text of Note
Bohls's study expands our awareness of women's intellectual presence in Romantic literature, and suggests Romanticism's sources might be at the peripheries of empire rather than at its center
Text of Note
British readers of the eighteenth and early nineteenth centuries eagerly consumed books of travels in an age of imperial expansion that was also the formative period of modern aesthetics. Beauty, sublimity, sensuous surfaces, and scenic views became conventions of travel writing as Britons applied familiar terms to unfamiliar places around the globe. The social logic of aesthetics, argues Elizabeth Bohls, constructed women, the laboring classes, and non-Europeans as foils against which to define the "man of taste" as an educated, property-owning gentleman. Women writers from Mary Wortley Montagu to Mary Shelley resisted this exclusion from gentlemanly privilege, and their writings re-examine and question aesthetic conventions such as the concept of disinterested contemplation, subtly but insistently exposing its vested interests
TOPICAL NAME USED AS SUBJECT
Aesthetics, British-- 18th century
Aesthetics, British-- 19th century
English language-- 18th century-- Style
English language-- 19th century-- Style
English prose literature-- 18th century-- History and criticism
English prose literature-- 19th century-- History and criticism
English prose literature-- Women authors-- History and criticism
Landscapes in literature
Travel writing-- History
Travelers' writings, English-- History and criticism
Women and literature-- Great Britain-- History-- 18th century
Women and literature-- Great Britain-- History-- 19th century
Women travelers-- Great Britain-- Biography-- History and criticism
Anglais (Langue) - Stylistique
Écrits de femmes anglais - Histoire et critique
Écrits de voyageuses anglais - Histoire et critique
Esthétique britannique - 18e siècle
Esthétique britannique - 19e siècle
Femmes et littérature - Grande-Bretagne - Histoire - 18e siècle
Femmes et littérature - Grande-Bretagne - Histoire - 19e siècle
Paysage dans la littérature
Prose anglaise - 18e siècle - Histoire et critique
Prose anglaise - 19e siècle - Histoire et critique
Voyageuses - Grande-Bretagne - Biographies - Histoire et critique