Wagner, Schumann, and the lessons of Beethoven's Ninth /
General Material Designation
[Book]
First Statement of Responsibility
Christopher Alan Reynolds
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiv, 212 pages :
Other Physical Details
music ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (pages 199-206) and index
CONTENTS NOTE
Text of Note
Wagner's Faustian understanding of Beethoven's Ninth -- The impact of the Ninth on the Flying Dutchman -- Wagner, thematic dispersion, and contrary motion -- Schumann, thematic dispersion, and contrary motion -- Late Schumann, Wagner, and Bach -- Brahms's triple response to the Ninth -- Wagner and Schumann
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SUMMARY OR ABSTRACT
Text of Note
"Reynolds shows that the stylistic advances made by Richard Wagner and Robert Schumann in 1845-46 stemmed from a deepened understanding of Beethoven's techniques and strategies in the Ninth Symphony, particularly the use of counterpoint involving contrary motion. The trail of influences that Reynolds explores extends back to the music of Bach and ahead to Tristan and Isolde, as well as to Brahms's First Symphony."--Provided by publisher
PERSONAL NAME USED AS SUBJECT
Beethoven, Ludwig van,1770-1827-- Criticism and interpretation
Beethoven, Ludwig van,1770-1827-- Influence
Beethoven, Ludwig van,1770-1827., Symphonies,no. 9, op. 125,D minor
Schumann, Robert,1810-1856-- Criticism and interpretation
Wagner, Richard,1813-1883-- Criticism and interpretation
TOPICAL NAME USED AS SUBJECT
Symphonies-- Analysis, appreciation-- 19th century