عنوان

Becoming film literate :

(Number (ISBN

0275981444

(Number (ISBN

9780275981440

Number

dltt

Title Proper

Becoming film literate :

General Material Designation

[Book]

Other Title Information

the art and craft of motion pictures /

First Statement of Responsibility

Vincent LoBrutto ; foreword by Jan Harlan

Place of Publication, Distribution, etc.

Westport, Conn. :

Name of Publisher, Distributor, etc.

Praeger,

Date of Publication, Distribution, etc.

©2005

Specific Material Designation and Extent of Item

xviii, 384 pages :

Other Physical Details

illustrations ;

Dimensions

25 cm

Text of Note

Includes bibliographical references (pages 349-369) and index

Text of Note

Non-linear storytelling: Amores Perros. -- Transformation of the American comedy: Annie Hall. -- Tableau narrative structure and sound design: Apocalypse now. -- The body as cinematic landscape: L'Avventura. -- Editing -- Russian montage: The battleship Potemkin. -- Italian neorealism: The bicycle thief. -- Production design: Blade runner. -- Dream state: Blue velvet. -- The period film as mirror for the present: Bonnie and Clyde. -- Expressionism in cinema: The cabinet of Dr. Caligari. -- Classical Hollywood film style: Casablanca. -- Surrealism in cinema: Un chien Andalou. -- The authorial voice: Citizen Kane. -- Shot structure: The crowd. -- Thematic unity: The Decalogue. -- Mythopoetic film: Dog star man. -- Political objectives through cinematic storytelling: Do the right thing. -- Film noir: Double indemnity. -- The personal film: 8 1/2. -- Animation and music: Fantasia. -- An American musical: 42nd Street. -- New York filmmaking: The French connection. -- Period comedy: The general. -- Parallel storytelling: Intolerance. -- French New Wave: Jules and Jim. -- The epic: Lawrence of Arabia. -- The political thriller: The Manchurian candidate. -- Self-referential cinema: Man with a movie camera. -- Architecture in production design: Metropolis. -- Roots of documentary film: Nanook of the North. -- Multiplot, multicharacter narrative: Nashville. -- Method acting: On the waterfront. -- The close-up: The passion of Joan of Arc. -- Dark side of American cinema: Psycho. -- Subtext in personal expression: Raging bull. -- Multiple point-of-view narrative: Rashomon. -- Widescreen filmmaking: Rebel without a cause. -- Camera movement as metaphor: La Ronde. -- Mise-en-scène: Rules of the game. -- Direct cinema: Salesman. -- The Freudian western: The searchers. -- Defining, theme, metaphor, and character through color, texture, and environmental design: Se7en. -- Symbolism in the cinema: The seventh seal. -- Art of the B movie: Shock corridor. -- Digital filmmaking: Star wars: Episode II -- Attack of the clones. -- Birth of a nonfiction film style: The thin blue line. -- Experimental narrative: 2001: a space odyssey. -- The essay film: Weekend. -- Screen violence as metaphor: The wild bunch. -- Independent filmmaking: A woman under the influence

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Text of Note

Provides an enjoyable and accessible education in the art of cinema, using 50 landmark films spanning the history of the medium

Title

Becoming film literate.

Cinematography

Motion pictures

Cinematografía

Películas cinematográficas

LoBrutto, Vincent

Date of Transaction

20170501084705.0

Electronic name

[Book]

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