Includes bibliographical references, filmography and index
CONTENTS NOTE
Text of Note
Introduction -- Production and style. Cinema's hidden multi-channel history and the origins of digital surround -- The sound of 5.1 : aural aesthetics -- The look of 5.1 : visual aesthetics -- Decoding the digital surround style -- Using the digital surround style -- Analysis. Studying multi-channel soundtracks -- Studying image/sound interactions -- Theory. Body and voice -- Apparatus theory -- The real and the symbolic -- Conclusion : media and media studies in the digital surround age
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TOPICAL NAME USED AS SUBJECT
Computer sound processing
Sound motion pictures
Sound-- Recording and reproduction-- Digital technique