عنوان

New York noise :

(Number (ISBN

0253015502

(Number (ISBN

025301557X

(Number (ISBN

0253015642

(Number (ISBN

9780253015501

(Number (ISBN

9780253015570

(Number (ISBN

9780253015648

Number

dltt

Title Proper

New York noise :

General Material Designation

[Book]

Other Title Information

radical Jewish music and the downtown scene /

First Statement of Responsibility

Tamar Barzel

Specific Material Designation and Extent of Item

xviii, 302 pages :

Other Physical Details

illustrations, music ;

Dimensions

23 cm

Series Title

Ethnomusicology multimedia

Series Title

Profiles in popular music

Text of Note

Includes bibliographical references (pages 271-286) and index

Text of Note

Jewish music : the art of getting it wrong -- Breaking a thick silence : a community emerges -- From the inexorable to the ineffable : John Zorn's Kristallnacht and the Masada project -- Rethinking identity : G-d is my co-pilot's queer Dada Judaism -- Shelley Hirsch and Anthony Coleman : music and memory from the "nowhere place."

0

Text of Note

"Coined in 1992 by composer/saxophonist John Zorn, "Radical Jewish Culture," or RJC, became the banner under which many artists in Zorn's circle performed, produced, and circulated their music. New York's downtown music scene, part of the once-grungy Lower East Side, has long been the site of cultural innovation. It is within this environment that Zorn and his circle sought to combine, as a form of social and cultural critique, the unconventional, uncategorizable nature of downtown music with sounds that were recognizably Jewish. Out of this movement arose bands, like Hasidic New Wave and Hanukkah Bush, whose eclectic styles encompassed neo-klezmer, hardcore and acid rock, neo-Yiddish cabaret, free verse, free jazz, and electronica. Though relatively fleeting in rock history, the "RJC moment" produced a six-year burst of conversations, writing, and music--including festivals, international concerts, and nearly two hundred new recordings. During a decade of research, Tamar Barzel became a frequent visitor at clubs, post-club hangouts, musicians' dining rooms, coffee shops, and archives. Her book describes the way RJC forged a new vision of Jewish identity in the contemporary world, one that sought to restore the bond between past and present, to interrogate the limits of racial and gender categories, and to display the tensions between secularism and observance, traditional values and contemporary concerns."--Publisher's description

Avant-garde (Music)-- New York (State)-- New York

Jews-- New York (State)-- New York-- Music-- History and criticism

Popular music-- New York (State)-- New York-- 1991-2000

Class number

Book number

Barzel, Tamar

Date of Transaction

20161003050314.9

Cataloguing Rules (Descriptive Conventions))

rda

Electronic name

[Book]

Y