the protreptics of Plato, Isocrates, and Aristotle /
First Statement of Responsibility
James Henderson Collins II
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xiv, 300 pages ;
Dimensions
24 cm
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references and index
CONTENTS NOTE
Text of Note
Introduction -- Part one: Platonic protreptic. Levels of discourse in Plato's dialogues ; Narrative between Socrates and Crito ; From narrative to drama: inside the intradiegetic level ; Return to the extradiegetic level: metalepsis ; Creating consumers and consensus in the Protagoras -- Part two: Isocratean Protreptic. "Professional" protreptic: Against the Sophists ; Paraenetic protreptic: Tà àpxaĩa and exhorting young tyrants ; Judging protreptic: Antidosis, Panathenaicus -- Epilogue: Aristotelian protreptic and a stabilized genre
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SUMMARY OR ABSTRACT
Text of Note
This book is a study of the literary strategies which the first professional philosophers used to market their respective disciplines. Philosophers of fourth-century BCE Athens developed the emerging genre of the "protreptic" (literally, "turning" or "converting"). Simply put, protreptic discourse uses a rhetoric of conversion that urges a young person to adopt a specific philosophy in order to live a good life. The author argues that the fourth-century philosophers used protreptic discourses to market philosophical practices and to define and legitimize a new cultural institution: the school of higher learning (the first in Western history). Specifically, the book investigates how competing educators in the fourth century produced protreptic discourses by borrowing and transforming traditional and contemporary "voices" in the cultural marketplace. They aimed to introduce and promote their new schools and define the new professionalized discipline of "philosophy." While scholars have typically examined the discourses and practices of Plato, Isocrates, and Aristotle in isolation from one another, this study rather combines philosophy, narratology, genre theory, and new historicism to focus on the discursive interaction between the three philosophers: each incorporates the discourse of his competitors into his protreptics. Appropriating and transforming the discourses of their competition, these intellectuals created literary texts that introduced their respective disciplines to potential students. --Provided by publisher