Includes bibliographical references (pages 307-343) and indexes
CONTENTS NOTE
Text of Note
Introduction: avant-garde culture and technological transformations -- Reframing the historical avant-garde -- media, historiography and method -- The dialectics of self-conception -- film avant-garde and industry around 1930 -- Strategic convergence and functional differentiation -- the film societies and ciné-clubs of the 1920s and 30s -- Mapping a totality of networks, nodes and flows -- discourses as practice -- Vanishing point Soviet Union -- Soviet cinema and the West between innovation and repression -- Melodies across the oceans -- the intersection of documentary and avant-garde -- Conclusion -- bridging the gaps, connecting the dots
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SUMMARY OR ABSTRACT
Text of Note
"Moving Forward, Looking Back : The European Avant-Garde and the Invention of Film Culture, 1913-1339 is the first concise and critical overview of this crucial period in film history. Arguing that the avant-garde should be understood as a transnational network of European scope, this book ushers in a new approach to the study of artistic movements. Such ephemeral activities as alternative screening practice, teaching, publishing, film collecting, exhibitions and film festivals in fact stand at the beginning of what came to be known as film culture ever since. The book thus argues for the lasting and continuing impact that the avant-garde has had on the cinema in general, and not just on film form and film style."--Jacket
SYSTEM REQUIREMENTS NOTE (ELECTRONIC RESOURCES)
Text of Note
Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.
ACQUISITION INFORMATION NOTE
Source for Acquisition/Subscription Address
JSTOR
Source for Acquisition/Subscription Address
JSTOR
Stock Number
22573/ctt45sx38
Stock Number
22573/ctt45tfh6
OTHER EDITION IN ANOTHER MEDIUM
Title
Moving forward, looking back.
International Standard Book Number
9053569618
TOPICAL NAME USED AS SUBJECT
Experimental films-- Europe-- History and criticism