Carrie Rebora ... [et al.] ; with contributions by Morrison H. Heckscher, Aileen Ribeiro, Marjorie Shelley
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
New York :
Name of Publisher, Distributor, etc.
Distributed by H.N. Abrams,
Date of Publication, Distribution, etc.
c1995
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
xv, 348 p. :
Other Physical Details
ill. (some col.) ;
Dimensions
32 cm
GENERAL NOTES
Text of Note
Exhibition catalog
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Includes bibliographical references (p. 329-336) and index
CONTENTS NOTE
Text of Note
Copley and art history : the study of America's first old master / Carrie Rebora -- Accounting for Copley ; Character and class / Paul Staiti -- An American despite himself / Theodore E. Stebbins Jr. -- "The whole art of dress" : costume in the work of John Singleton Copley / Aileen Ribeiro -- Copley in miniature / Erica E. Hirschler -- Painting in crayon : the pastels of John Singleton Copley / Marjorie Shelley -- Copley's picture frames / Morrison H. Heckscher -- Catalogue / Janet L. Comey ... [et al.] -- Chronology / Carrie Rebora
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SUMMARY OR ABSTRACT
Text of Note
"Unexpectedly, John Singleton Copley illuminated Boston's colonial sky," writes one of the authors of this volume. The son of poor Irish immigrants, Copley (1738-1815) became the supreme portraitist of the colonial era before he left his native Boston for England in 1774. Primarily in Boston, and to some extent in New York, Copley depicted contemporary merchant princes, clergymen, and military officers and their wives, as well as Paul Revere, Samuel Adams, John Hancock, and other political leaders. His splendidly painted portraits provided his sitters, Loyalists and revolutionaries alike, with the opulent images they craved and brought him spectacular material success
Text of Note
This book, which accompanies an important exhibition of Copley's work organized by The Metropolitan Museum of Art, New York, and the Museum of Fine Arts, Boston, is the first major study of the artist published since 1966. Like the exhibition, it focuses on the large-scale paintings, miniatures, and pastels Copley executed before he moved to London, on the theory that his American oeuvre is unified by the circumstances of its production and is stylistically and intellectually distinct from his English pictures
OTHER EDITION IN ANOTHER MEDIUM
Title
John Singleton Copley in America.
PERSONAL NAME USED AS SUBJECT
Copley, John Singleton,1738-1815
Copley, John Singleton,1738-1815
TOPICAL NAME USED AS SUBJECT
Artists and patrons-- United States-- History-- 18th century, Exhibitions