: Philosophy in the Narratives of Maurice Blanchot
First Statement of Responsibility
\ edited by Kevin Hart.
.PUBLICATION, DISTRIBUTION, ETC
Place of Publication, Distribution, etc.
Notre Dame, Ind.
Name of Publisher, Distributor, etc.
: University of Notre Dame Press
Date of Publication, Distribution, etc.
, 2010.
PHYSICAL DESCRIPTION
Specific Material Designation and Extent of Item
x, 336 p.
INTERNAL BIBLIOGRAPHIES/INDEXES NOTE
Text of Note
Index
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Bibliography
CONTENTS NOTE
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Philosophy and the Philosophical / Kevin Hart -- The Glory and the Abyss : Le ressassement éternel / Vivian Liska and Arthur Cools -- The Neutral Reduction : Thomas l'obscur / Kevin Hart -- Aminadab: Quest for the Origin of the Work of Art / Christopher A. Strathman -- A Law without Flesh : Reading Erotic Phenomena in Le Très-Haut / Stephen E. Lewis -- The Haunted House of Being : Part II of L'arrêt de mort / Alain Toumayan -- Writing and Sovereignty : La folie du jour / Christopher Fynsk -- On Minor Reading Events : Orality and Spacing in the Opening of Au moment voulu / Christopher Bident -- The Imperative of Transparency : Celui qui ne m'accompagnait pas / Rodolphe Gasché -- "As Though with a New Beginning" : Le dernier homme / Caroline Sheaffer-Jones -- Space and Beyond : L'attente l'oubli -- Weary Words : L'entretien infini / Leslie Hill -- Neutral War : L'instant de ma mort / Thomas S. Davis.
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SUMMARY OR ABSTRACT
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"Blanchot's narratives are here read with the care, patience, and thoroughness they deserve. The collection sustains a remarkable intensity of engagement throughout in so doing opening these narratives out to their necessary context--philosophical, of course; but also literary, political, theological, and biographical--with welcome dedication and integrity."--Martin Crowley, Queens' College, University of Cambridge" ""This outstanding collection--lucid, engaging, generous--illuminates Blanchot and the very notion of t̀he philosophical."--Gerald Prince, University of Pennsylvania" ""This collection contains some very important pieces on a major figure of twentieth-century modernism. Blanchot now has a much wider audience in North American than he did even a few years ago, when it was mostly experimental fiction writers like Paul Auster, Lydia Davis, R. M. Berry, and Steve Tomasula--not literary critics--who took an interest in Blanchot's literary writings. The focus on the ǹarratives' (or, better, f̀ictions') sets this volume apart from, and makes it a good deal more stimulating than, other recent collections of essays on Blanchot."--Gerald Bruns, University of Notre Dame"--BOOK JACKET.