Introduction / Jonathan Freedman -- Section I. Hitchcock encounters America, America encounters Hitchcock: roots and offshoots -- Cycling through: Hitchcock and the studio system / Thomas Schatz -- Making the brand / Janet Staiger -- Hitchcock on location: America, icons, and the place of illusion / Sara Blair -- Hitchcock, class and noir / Homer Pettey -- American civilization and its discontents: the persistence of evil in Hitchcock's Shadow of a doubt / Carl Freedman -- Section II. Hitchcock: sexualities, genders, theories -- Alfred Hitchcock and feminist film theory (Yet Again) / Susan White -- Hitchcock and Queer Sexuality / David Greven -- Psycho and psychoanalysis / Stephen Tifft -- Section III. Hitchcock's American films: some case studies in form and content -- Expedient exaggeration and the scale of Cold War farce in North by northwest / Alan Nadel -- Looking up: class, England and America in The men who knew too much / Murry Pomerance -- Seeing red: the color bleed in Hitchcock / Brigitte Peucker -- Live nude Hitchcock: final frenzies / Mark Gobel -- Section IV. Hitchcock beyond Hitchcock -- The school of Hitchcock: in the wake of the master / Jonathan Freedman.
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TOPICAL NAME USED AS SUBJECT
Hitchcock, Alfred,1899-1980 -- Criticism and interpretation.
هیچکاک، آلفرد جوزف، ۱۸۹۹ - ۱۹۸۰م. -- نقد و تفسیر